Directed by:
Wes AndersonScreenplay:
Wes AndersonCinematography:
Robert D. YeomanComposer:
Alexandre DesplatCast:
Ralph Fiennes, F. Murray Abraham, Mathieu Amalric, Adrien Brody, Willem Dafoe, Jeff Goldblum, Harvey Keitel, Jude Law, Bill Murray, Edward Norton (more)VOD (5)
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The movie recounts the adventures of legendary concierge Gustave H. and Zero Moustafa, the lobby boy who becomes his most trusted friend. The story involves the theft of a priceless painting; a raging battle for an enormous family fortune; and a desperate chase on motorcycles, trains, sleds, and skis - all against the back-drop of a suddenly and dramatically changing Continent. (Warner Bros. UK)
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Reviews (20)
I had fun, I thought some of the scenes were brilliantly conceived. It had pacing and very fitting music. The acting was very good and Fiennes' pronunciation was simply pleasing to my ear. Although there is a bitter story beneath the veneer of comedy, I enjoyed it and left the cinema satisfied and amused all over again at some of the lines. The only thing that bothered me a little was the empty feeling at the end, but I guess it was meant to be. A weaker 4 stars, and I can definitely recommend it for viewing.
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The cardboard world of Anderson's childish fantasy hooked up with a script someone dug up in Alfred Hitchcock’s forgotten archives, and I’ve definitively succumbed to this fool whose films I both liked and loathed at the same time. While it doesn't really have human emotions, but rather forcefully screwed-on tremors based on the situation the characters are in at the time, this thriller ride is as tense as anything else. The elevator scene at the end and the subsequent shootout in the gallery are both scenes that few people can really film today. PS: Most directorial aces would sell their souls for this casting.
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Wes Anderson is a director with his own world. I’ve seen his world a few times before and I never liked it as much as I did in this movie. It may have been caused by the atmosphere of the Second World War, but I rather think it was the absurdity as such, that the director toys with in this war. It’s a bit like Tarantino’s Inglorious Basterds, only in the far more distinctive and positive style of the director, which I’ll probably never forget. And I have to admit, after watching this movie, I immediately have a reason to watch all his other movies I’ve seen before, but also the ones I haven’t seen yet. That’s how much The Grand Budapest Hotel affected me.
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In Anderson’s nostalgic and grotesque retro worlds, this one may be the most literal and gaudy, but at the same time it represents a (perhaps too) literal confession not only to its own protagonists, but to the filmmaker himself. “To be frank, I think his world had vanished long before he ever entered it. But, I will say, he certainly sustained the illusion with a marvelous grace.”
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Can a film be absurd, funny, colourful and original at the same time? Yes, Grand Hotel Budapest is great proof of that. On the plus side, it certainly has very unconventional visuals, plenty of dark humour, a nice cast and an engaging narrative form that keeps the viewer on their toes. The highlight of the film for me was the jailbreak. Fun for the whole family. 75%
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