Directed by:
Steven QualeScreenplay:
John SwetnamCinematography:
Brian PearsonComposer:
Brian TylerCast:
Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon, Nathan Kress, Alycia Debnam-Carey, Arlen Escarpeta, Jeremy Sumpter, Lee Whittaker, Kyle Davis (more)VOD (4)
Plots(1)
In the span of a single day, the town of Silverton is ravaged by an unprecedented onslaught of tornadoes. The entire town is at the mercy of the erratic and deadly cyclones, even as storm trackers predict the worst is yet to come. Most people seek shelter, while others run towards the vortex, testing how far a storm chaser will go for that once-in-a-lifetime shot. (Warner Bros. US)
(more)Videos (3)
Reviews (7)
It looks and sounds really great, but the tons of messy situations, seen so many times elsewhere and still so serious, are really catastrophic. And even the idea of shooting the whole film with handheld and public cameras couldn't make it any more interesting, because it almost seems that everyone in this town has a camera (maybe only the dog didn't film) and everyone wants to be a documentary filmmaker, which takes away all the "authenticity". As hilarious as the special effects tornadoes are and the scenes of their rampage are interesting, Into the Storm is mostly boring and I'll have to watch Twister again sometime. Two and a half.
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If it were more ambitious, I'd be jumping for joy. I missed the US government, the meteorologists and all the people trying to solve this issue globally here, it unfortunately focuses on only a handful of characters, which bothered me. The effects are great, but the film also moves slowly and before I know it the film is over. 60%
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A TV movie with a really high budget. About four or five scenes are really worth watching (mainly the fire and Mack’s flypast the airport), and so such a high rating, but the rest is just stuffing. Dumb dialogs, “random shots", illogical nonsense. And poor Richard Armitage cast in a role totally beyond the abilities of heartless tough guys.
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A textbook example of poor film direction. Though the movie is visually captivating, the casting and dialogue are simply bad. It’s as if it was filmed by the second crew, which normally works only on the supporting technical scenes without any acting and doesn’t care the slightest bit about the dramaturgy of the story (the last Transformers suffered from the same failing).
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I didn't expect any miracles from In the Into the Storm, and in fact I didn't get any. This disaster film, shot largely with a handheld camera, and into which family drama finds its way, is perhaps most impressive in the field of technical workmanship. The story is simple and unremarkable, but it doesn't offend (I've grown accustomed to those formulaic family dramas in American films). In short, a film that is more suited to the cinema, but it won't stay in your head for long.
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