Directed by:
Michael HanekeScreenplay:
Michael HanekeCinematography:
Christian BergerCast:
Isabelle Huppert, Annie Girardot, Benoît Magimel, Susanne Lothar, Udo Samel, Anna Sigalevitch, Georg Friedrich, Gerti Drassl, Viviane Bartsch (more)VOD (3)
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In this adaptation of the novel by Nobel Prize-winning author Elfriede Jelinek, which nabbed multiple awards at the Cannes Film Festival, Isabelle Huppert plays a brilliant but sexually repressed piano instructor whose world is shattered by the advances of one of her students. (MUBI)
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Reviews (4)
Elfriede Jelinek's work is better known outside the wave of interest generated by the Nobel Prize. Enough time has gone by at this point. But it's hard to imagine the buzz generated around this art film without a connection to the buzz around the Nobel Prize. It's cyclical, which is actually a shame. The Piano Teacher deals with topics that should be discussed but are not. It is fascinating that something as simple as a mother-daughter relationship can turn into something so complicated and devastating.
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Michael Haneke does not make pleasant and beautiful films, but rather unsettling dramas that injure and leave behind a strange aftertaste. However, or perhaps precisely because of this, it is not a bad film. It portrays a possibly not widely spread, yet realistically existing world of sexual deviances of people distorted by constant pretending, secrecy, and unfulfilled desires. It is definitely a more realistic view of a certain aspect of eroticism and interpersonal relationships than Shortbus, which I recently watched. Moreover, the film has excellent performances, led by Isabelle Huppert. She excels in her role as a psychopathic teacher. If something bothers me about the film, it is the excessively long duration. Some scenes are unnecessary and others are drawn out. Overall impression: 80%.
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A heavy psychological film about sexual obsessions that won’t give you a clear, satisfying answer to anything, but you definitely won’t forget it.
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I definitely do not consider myself - nor can I consider myself - an expert on Michael Haneke, but I think I can confidently say that he is one of my favorite directors. And that's after only seeing three of his films. The first one was "Funny Games," which I must admit left me quite disappointed. What he dared to do at the end was something extra that simply didn't belong there. Why? Similar script interventions are usually detrimental, unless you're Charlie Kaufman. The second film, on the other hand, truly impressed me. It was, of course, the Oscar-winning "Amour." A film that leaves you with incredibly deep emotions. More: http://www.filmovy-denik.cz/2013/02/pianistka-2001-85.html
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