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Adonis Johnson (Michael B. Jordan), son of deceased world heavyweight champion Apollo Creed, has boxing in his blood. Looking to win his own title, Adonis heads to Philadelphia and convinces his father’s rival-turned-friend, Rocky Balboa (Sylvester Stallone), to train him – even as Rocky battles his own deadly opponent outside the ring. Now Adonis has a shot, but first he must develop the heart of a true fighter in this new chapter of the Rocky story from critically acclaimed director Ryan Coogler. (Warner Bros. Home Entertainment)

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Marigold 

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English Ryan Coogler is a gifted child. One hardly wants to be angry at his crackling naivety when he sees how much skill (especially) the cameraman has, but the fact is that Creed is more of an unintentional infantile comedy than a boxing drama. He raises the greatest hope for emancipation when he pulls out an incredibly dense one take fight in the middle, but instead of finding his own legacy, he ends up a labor-intensive retro in his father’s place. Sly is the only anchor, otherwise it all breaks down for Coogler into laboriously constructed storytelling and a doll-like main character who has to shout to "make a drama". Maybe next time, yo. ()

Malarkey 

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English With the arrival of Creed, Rocky Balboa bid us farewell in quite dignified way. The movie did not come with anything new, so the only thing left is the endless moralizing of Sylvester Stallone, which I more or less enjoy, or the acting of Michael B. Jordan, which is something you have to get used to. He, as the child of the street, did not at first arouse too many emotions in me. Only Stallone’s upbringing made him somehow pleasant. However, simply by describing it, the pathos makes me sick. The story could not get more typical. Big fans will be probably satisfied with Creed and will nostalgically shed a tear. Rocky Balboa is enough for me, as it was able to make an original movie out of nostalgia, and I did not have to call it what I call this movie. Unlike the previous one, this movie is a completely routine job. ()

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EvilPhoEniX 

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English I love these films and they rarely disappoint me. The story is a classic fairy tale but unfortunately without emotions, so Southpaw won in this respect. Michael B. Jordan is likable, Sylvester Stallone is friendly and the one-shot fights almost without editing are breathtaking, too bad there were only two of them, but they were decently long and adrenaline-pumping. I wasn't bored. 75%. ()

Necrotongue Boo!

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English Terrible! I found the main "hero" totally unrelatable from start to finish. I still remember enjoying Rocky all those years ago. Back in the day, these films featured a charismatic main character and his evil counterpart. Creed lacks both. Plus, Rocky gets also attacked by cancer, which I take as a last-ditch attempt to stir at least some emotion in the viewer. And it worked – it stirred total disgust in me. Unfortunately, Rocky gets talked into treatment by the totally uncharismatic Adonis (WTF?), so maybe I'll get to see the next installment entitled Rocky: The Wheelchair. Yaaay!!! ()

RUSSELL 

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English Someone could argue that the story surrounding Rocky is already milked, but this film is living proof that it is not the case. Creed is essentially the same as the first Rocky, a certain formula has been recycled over and over again since then and I still don't understand how it can still work, but it just does and it strongly affected me again. Creed offers a captivating spectacle that can please all old school Rocky fans and also appeal to a new generation, maybe even those who haven't seen any Rocky films. The modern twist suits it well and I was especially pleased with the brilliant camera work of Maryse Alberti, I really enjoyed those few longer sequences without cuts. Ryan Coogler has joined the current directorial elite with this film. I have nothing to criticize. ()

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