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Ten years after her mother's murder, starry-eyed teenager Camilla Swanson (Allie MacDonald) follows in her mother's acting footsteps only to be haunted by a crazed killer. Stuck in the kitchen of a snobby performing arts camp, Camilla sneaks in to audition for the summer showcase and lands the lead role in the play, the same role her mother won before her death. As rehearsals begin, the play is seemingly cursed by a masked killer. Blood starts to spill as bloody rampage tears through the cast and crew in a killer performance no one will forget. (Metrodome Distribution)

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kaylin 

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English I think the attempt at a horror musical turned out quite well. Stage Fright definitely isn't a great film, but it's a comedy that managed to make me laugh at times, and it's also a horror that managed to disgust me at times. Overall, it's quite balanced, and the genre elements are used where they make sense and where they work. In this regard, it's just a pleasant madness, where the presence of Meat Loaf is also pleasing, as he seems to look the same forever. ()

EvilPhoEniX 

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English Stage Fright takes place in a rather interesting setting, but as a horror film it fails on all counts. The murders are very amateurishly executed (with the exception of the excellent opening one), zero empathy, no nudity, and an uninteresting twist. The only things to commend is the decent villain with an original mask, the interesting speech while killing and the quite funny dialogues while singing, but I’d rather not recommended it. ()

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JFL 

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English Another from-fans-for-fans product made under the auspices of XYZ films, whose founder, Todd Brown, has used his highly influential website focused on “unique” genre films to foster a target audience that enthusiastically eats out of his hand and is unfortunately also another nail in the coffin of genre films. Just as in the case of Killers, here we have a film that turns showy uniqueness and attractive imaginativeness into a formula in and of itself. The idea for a comedic slasher musical set in a summer camp has a lot of potential. However, with the exception of two well-choreographed and nicely staged musical sequences, it offers nothing more than insipid jokes endlessly exploiting a handful of prejudices about the world behind the curtain (a lecherous director to whose will actresses have to submit in order to get a role, closeted and out gays, hatred of metalheads). ()

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