Directed by:
Thea SharrockScreenplay:
Jojo MoyesCinematography:
Remi AdefarasinComposer:
Craig ArmstrongCast:
Emilia Clarke, Sam Claflin, Stephen Peacocke, Janet McTeer, Charles Dance, Matthew Lewis, Samantha Spiro, Brendan Coyle, Jenna Coleman, Vanessa Kirby (more)VOD (5)
Plots(1)
Emilia Clarke stars as Louisa 'Lou' Clark, a quirky, cheerful waitress who suffers a crisis when she loses her job. Struggling to find a position in her area of expertise, Lou reluctantly applies for a job as a carer for a wheelchair-bound man called Will (Sam Claflin). After a motorbike accident left him paralysed, Will has found daily tasks difficut and often wonders why he tries to carry on, but when Lou enters his life, both lost souls find common ground and help each other see the light at the end of the tunnel. (Warner Bros. Home Entertainment)
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Reviews (10)
The books by Jojo Moyes all present themselves as significant bestseller events. They have a unified design and are very popular. Unfortunately, they are just empty kitsch, similar to Nicholas Sparks and a million others. The film adaptation doesn't offer much either, just depicting typical tear-jerking situations. If I am to be moved, I prefer it to be by a quality film; for example, Guzaarish is one such option.
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I can’t believe I’m actually saying this but Me Before You is an excellent movie. At first, it all feels incredibly artificial and a little boring thanks to Clarke’s goofiness and Claflin's bored expressions, but don't judge by first impressions. It actually ends up being an incredibly feel-good movie filled with both happy and sad emotions. The behavior of the characters gradually becomes less affected and more relaxed, and especially the goofy Clarke turns into the most likeable clumsy thing with an absolutely amazing laugh (I'm really skeptical about its potential dubbing which will inevitably erase her original personality which is the core of the movie). In spite of the similar topic, I’d rather not compare this to The Intouchables, because nothing as funny and true at the same time will probably ever be filmed again. Although the theme may discourage a lot of people, if you’re in the right mood for it, Me Before You will find its fans not only among female viewers. So, I'm probably giving this the most exaggerated rating of the year, but sometimes the movie just sits so well with you that you can’t help but rate it up, perhaps even for its great soundtrack.
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Nice. Compared to the untouchable The Intouchables, it’s is a bit too cloying and childish in an American way, with a clear-cut course and an ending adapted to the popular romantic trend (when will filmmakers finally get rid of the need to "deepen" emotionally impressive moments with wannabe touching songs?), but otherwise a terribly nice and likeable film about the need to help others, even if they don't ask for it out loud. Emotionally balanced, ranging from pleasant humour and irony to depression stemming from the hopelessness of life's situation and, except for the last few minutes, smoothly narrated and generally uplifting – especially thanks to the lovely Emilia Clarke, who emerges as a character capable of lighting up any scene with her mere presence and smile – Rachel McAdams has a serious (but welcome) competitor :-) 80%
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Me Before You is a film that is in many ways different from other romantic dramas, yet it uses elements that have appeared in other films similar to it. You could feel a touch of The Intouchables through the quadriplegia, but its French predecessor played more on a humorous note, whereas here it was more about developing a relationship between diametrically opposed characters and coming to terms with a cruel fate. The cast was supremely likeable, although I did wonder at times if Emilia Clarke's wavy eyebrows were serious, but I did get a satisfying explanation at the end of the film. I liked the casting of Matthew Lewis, who managed to break out of his role as Neville from Harry Potter. I was also impressed with the soundtrack, especially the songs “Not Today” and “Unsteady”. All in all, a nicely made film set in the beautiful surroundings of England and offering a nice story that may be corny on one level, but still makes you want to watch it and get carried away by the slightly naive and cutely delivered script.
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Fantastic relationship drama. It's not as complex and fateful as, say, The Age of Adaline, but Emilia Clarke plays perhaps the most likeable dumb girl under the sun, and that's not at all a bad thing. An emotional charge par excellence. Don't worry about whether it's realistic or not, just enjoy the show. And since we are in a time when all genres have to be super-clever and super-based, ideally conceptually groundbreaking, or at least innovative, this fresh old-school romance feels a bit like a revelation from another world. It's not really innovative in any way, it's just exquisitely polished and shot with care and feeling.
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