The Gift

Simon Says: go watch this movie. The trailer isn't too exciting, because it doesn't have much. There is no blood, no murders or violence, so this is a light thriller, more of a psychological drama, but intelligently written and directed, and it revels in original twists and even has two solid scares. I was disappointed by the ending, which leaves the viewer with a lot of unanswered questions, I personally don't like that, but thumbs up for the revenge being different from what we've been used to so far. On the plus side, it was difficult to pick a good guy: one is a badass the other is a weirdo. A very high quality film. 80%. (09/09/2015)

The Gift is a solidly developed psychological drama that is, however, dragged down to the level of a forgettable genre movie by its wannabe shocking delivery of the final point. The clever work with the characters’ psychology would have made the film stronger and more unique if it were more subtle (i.e. if it didn’t underestimate the viewers and shock them with a mere disturbing suggestion). (22/09/2015)

What the advertising sold as a run-of-the-mill stalker thriller it’s actually an ambitious and smart psychological drama with only hints of the genre elements of thriller and horror (the film probably has the ugliest jump scare of the year). Even after the end, the film is a fable with lots of empty spaces that could be easily filled with fairly different versions of the events, which makes for post-viewing debates. Certainly, a surprise from first-time director Joel Egerton, I hope he’ll get back behind the cameras soon. (06/09/2015)

Joel Edgerton certainly isn't a bad director at all, as he managed to make his feature debut almost an A plus. The problem is the denouement of the story, which is a dusty copy of several other films, as others have mentioned here. But I applaud the atmosphere, the performances, and the occasionally solid suspense. Overall, it's kind of an average 3 stars. (02/12/2019)

Joel Edgerton has made a smarter film than could have been expected. Great psychology and plasticity of characters, excellent situational scenes and fantastic actors without exception. Pity about the literal twist, which is impressive but still too explicit. Had it been more open and just hinted at, it could have been one of the highlights of the year, as the subliminally unsettling tension of something evil and unspoken is felt even through the screen. (12/12/2015)