Directed by:
Curtis HansonCinematography:
Dante SpinottiComposer:
Jerry GoldsmithCast:
Kevin Spacey, Russell Crowe, Guy Pearce, James Cromwell, David Strathairn, Kim Basinger, Danny DeVito, Graham Beckel, Simon Baker, Matt McCoy, Jim Metzler (more)VOD (5)
Plots(1)
In 1950s Los Angeles, Ed Exley (Guy Pearce), Bud White (Russell Crowe) and Jack Vincennes (Kevin Spacey) are three very different cops: Ed is ambitious and incorruptible, Bud takes pleasure in beating up wrong-doers, and Jack works as technical advisor to the television show 'Badge of Honour'. Ed earns the enmity of Bud and Jack when he testifies that they were involved in the beating of a group of Mexicans in police custody, but all three men become involved after a mass-murder takes place at the Nite Owl cafe. Initially, it seems that a group of drug addicts are responsible, but further investigation leads to evidence of blackmail, prostitution and a police cover-up. (20th Century Fox Home Entertainment)
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Reviews (14)
Yeah, I got it after a second screening. A brilliant crime drama with a sophisticated script and the wonderful atmosphere of 1950s L.A., the film's main strength. The same can be said of the perfect cast lead by Crowe’s macho protector of women, he’s flawless. Guy Pearce outdoes himself here, this role opened him the door to the acting elite for a while, before it embarrassingly slammed in his face again a few years later. I am not giving this 5* just because the fairly similar Polanski's Chinatown is a notch better.
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One of the best crime movies I have ever seen, and also one of the best scripts. Complex, mysterious, unpredictable, yet not confusing, it can be understood with a little attention. Personally, (hough it is a very similar movie) better than The Usual Suspects, because whereas that one mainly benefited from its shocking ending, here everything is carefully dissected, making the whole a little better. Curtis Hanson made a great film, one of the best crime movies and one of the most accomplished scripts ever.
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Lol, who wouldn't want to be a tough guy like Bud White? To crush criminals with a fist of stone and gently protect women with the same hand? Russell Crowe perfectly plays the type of character that earned him his fame - the type of unbreakable tough guy with character. Guy Pearce as Lieutenant Exley is his excellent counterpoint - slimy, devious... L.A. Confidential utilizes their mutual energy, which they initially repel and then unite in a deadly blow. The seemingly disparate story, which flows in all directions, harmonizes perfectly in the finale and culminates in a magnificent shootout gambit. In the end, from the genre paintings of Sinful People of L.A., it becomes detective story with a good point and with a nice twist. Curtis Hanson has proven to be a pretty cool guy - his directing swings, the images alternate with brisk action and convincing retro... it's just one big dose of "dirty" police goodness. Rough, straightforward and as graceful as Kim Basinger’s ass. Jesus fuckin´ Christ!
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A gangster film as it should be – bloody, sometimes even brutal, with tough heroes, inconspicuous traitors, a beautiful femme fatale, and a brilliant shootout at the end. Exactly the type of movie where you give it the highest rating without hesitation at the end and the only thing you can say about it is that it is simply divine...
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A film so perfect that I'd like to climb each letter of the Hollywood sign in turn and salute it at length over the City of Angels. The retro atmosphere is so captivating that in the nineties it must have set the old generation's loins on fire. The actors are absolutely fabulous, from the characterful tough-guy Crowe to the role model Pearce and the cool playboy Spacey to the cold-blooded Cromwell, the direction is as polished as a pop star's fingernails (the scene with the corpse under the house is heart-attack inducing), and then there’s the script!! One bloody event unleashes an unreadable chain of intrigue and murder in which everyone is somehow implicated, and it's so damn wonderful to watch, thanks to the slowly unfolding communicativeness, the rhythmic switches between multiple storylines, and the superb portrayal of all the characters, that when it's over it seems the most sensible course of action to watch it again immediately. The only thing that’s beyond my comprehension is the Oscar for Basinger, the Academy must have had some kind of extended version where she's naked in the shower for 15 minutes, otherwise I don't get it... 100%
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