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Clint Eastwood directs this gritty Academy Award-winning drama based on the novel by Dennis Lehane. Set in the Irish community of Boston, it tells the story of three childhood friends who have drifted apart over the years owing to a violent and disturbing experience they shared as children, and are forcibly reunited many years later following another tragic event. When ex-con Jimmy Markum's (Sean Penn) 19-year-old daughter Katie is murdered, the homicide detectives assigned to the case are Whitney Powers (Laurence Fishburne) and Jimmy's old friend Sean Devine (Kevin Bacon). Behind the scenes, Jimmy asks two of his relatives, the Savage brothers, to mount their own investigation, and the finger of suspicion begins to point to the final person in the childhood trio, Dave Boyle (Tim Robbins), who is now a broken man. (Warner Bros. Home Entertainment)

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gudaulin 

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English An intimate psychological thriller that relies on a very talented cast and the reliable, experienced direction of Clint Eastwood. It's not a film that would cause a revolution in cinema or bring me to ecstasy with its execution, but on the other hand, it has no significant flaws and represents a solid above-average in its genre. Overall impression: 75%. ()

agentmiky 

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English This is exactly the kind of film I would have instinctively attributed to Clint Eastwood, even without any prior information. His sense for perfectly crafting a story shines through in every moment of the film. Mystic River initially struck me as just another detective film that didn’t stand out, but I was simply fooled. Within a few minutes, Eastwood launched his unparalleled symphony that completely wipes out its competitors. First, I want to talk about the central trio of actors, on whom the film undoubtedly relied. It’s impossible to say who was the best because all of them delivered amazing performances. But if I had to choose, it would be Sean Penn. The atmosphere is truly chilling, and the film maintains a high level of tension throughout its entire runtime. When Brian Helgeland handles a script, there’s nothing for the audience to complain about—they can just sit back and enjoy such a great, airtight story. The music also deserves praise. Once again, it was perfect, but that’s to be expected from Clint. Eastwood is an undeniable genius, and this is one of the best detective films I’ve seen so far. I give it 92%. ()

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lamps 

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English Once again, Clint works flawlessly with human emotions, from love to pure hatred, but this time it's not so much to his credit as to all the excellent actors who play such an atmospheric and chillingly patient game that the depressing finale made me want to scream and quickly shake it all off. Unfortunately, the compelling and simply-framed psychological storyline fights too hard for attention with the detective plot, which rings a bit hollow and is ultimately not as crucial to the story as the frequency of all the interrogations and new leads might suggest. Other than the aforementioned finale, there aren’t any wow-sequences that would be permanently etched in our memories, the kind Eastwood usually delivers aplenty in his masterpieces, so I have no choice but to bring up Sean Penn and Tim Robbins again, without whom this time it wouldn't have been quite the same – but Clint probably knew who to cast :))) 80% ()

EvilPhoEniX 

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English Mysterious, intriguing and suspenseful! Mystic River is the best thriller driven whodunit I've ever seen. The story is perfect and the twists and turns and frequent plot changes make it much more unpredictable. Sean Penn delivers the ultimate acting performance, this guy goes instantly into my favorite actors, i love him! The rest of the cast also deserves praise for a job well done, especially the duo of detectives played by Kevin Bacon and Laurence Fishburne. A polished, atmospheric diamond that left me almost breathless! 100% ()

Othello 

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English To criticize Eastwood is to spend the rest of my life looking nervously over my shoulder, but I've got the balls for it. Because the problem with Clint's directorial output of recent years lies mainly in the fact that he's a crappy psychologist, but would love to be one (i.e. the classic problem of all trendy psychology students, who end up psychoanalyzing their houseplants two months into their first semester, oh how many I've known). He can't seem to go deep into the characters, even though the actors help him tremendously with that. Tim Robbins' acting in particular should be watched just as a reward. Except that his monologues with cheesy metaphors (vampires, wolves) rustle the paper (or was it hustle?) and you don't believe a thing. The film's straightforward mystery storyline will please all crime fiction lovers because it's got it all and Fishburne and Bacon are likable to a fault. However, that shocking ending that the film doesn't allude to in any way beforehand squeals like a pig, no matter how well shot it is – especially the rather brutal and excellent skirmish from the unnamed characters. There's a very interesting (again, paper-rustling) scene at the end, with Penn's wife, whose relationship we've also learned quite a bit about up to this point, and will therefore cause a wrinkle on more than one forehead, and ironically it's this scene that stands out enough to clinch that fourth star, even though I still found the "traditional" bits the best part of the overall film. ()

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