Directed by:
Edward ZwickCinematography:
John TollComposer:
Hans ZimmerCast:
Ken Watanabe, Tom Cruise, William Atherton, Timothy Spall, Chad Lindberg, Billy Connolly, Tony Goldwyn, Masato Harada, Koyuki Katō, Shun Sugata, Shin Koyamada (more)VOD (4)
Plots(1)
The Japanese monarchy has decided to replace the hired samurai warriors, who have been relied upon for centuries for defending the nation, with a more contemporary military. A U.S. Civil War veteran (Tom Cruise) is hired by the Emperor to train a group of Japanese conscripts to replace the samurai warriors. But when he is captured by the samurai, he comes to respect them and finds himself torn over who he should be fighting for. (Warner Bros. Home Entertainment)
(more)Videos (2)
Reviews (8)
From poetic shots of the beautiful landscape of New Zealand to the thrilling final 20 minutes, everything is just as it should be in a Hollywood blockbuster. What's more, even though it is an American film, it doesn't look as American as it might seem at first glance, and Edward Zwick's tribute to the art of the Samurai is admirable. Tom Cruise is stunning, his portrayal of Nathan Algren is truly amazing. The director paid attention to every camera shot. The Last Samurai can be watched multiple times and it will still entertain you.
()
Over two hours of shots of Tom Cruise who is meant to be Nathaniel Algren, but remains simply Cruise for the entire movie. It’s kitsch, void of a screenplay and respect for other cultures, full of clichés... And very good. Monumental battles, Zimmer’s thunderous soundtrack and visual spectacle on top of everything. Dumb and naive gilding. But it must be said that this is extremely entertaining dumb and naive gilding. ♫ OST score: 4/5
()
It may be a bit naive in places, but I still like how this film shows the difference in thinking. What's beautiful about it, though, is that it's all about how while approaches may differ, when fighting for the right thing, it's not about the differences, but about what unites people. I have to say, I'm liking the Japanese approach more and more.
()
Though formulaic in the Hollywood manner, The Last Samurai is a beautifully made movie in which nothing surprises you, but which will make you feel like you are in heaven. It’s obvious how much care the filmmakers put into it. Including Edward Zwick. Whatever the scene, it’s either beautifully poetic harmony or agile force of action. Tom Cruise is better suited to his role than you would expect and Hans Zimmer’s music adds incredible power to the fight sequences, significantly more than those in Gladiator. Incidentally, The Last Samurai is in every respect a better, more well-rounded film that elicits more legitimate tears from viewers at the end.
()
At times I felt like I was walking in a Japanese garden to the sounds of koto and shakuhachi, at times I was swept away by the whirlwind of the fights and appreciated their great choreography. Visually, this film is flawless, the scenery (New Zealand is a really beautiful part of the world, filming there was an idea worth all the yen) is stunning, and the final battle is a truly believable uncompromising carnage. Who was definitely a pleasant surprise was Cruise. He finally broke away from his typical overacting and seemed natural in his role. A full scoring is hampered by the minutes after the final battle. That battle had a great emotional charge, the ride of the samurai against the machine gun fire gave me chills, but the subsequent clichés and excessive pathos were a shame. Otherwise, no complaints. Interesting fact: The Last Samurai was the most successful film of the year in Japan, grossing more than in the US. The chosen theme and the Japanese actors worked wonders.
()
Ads