Directed by:
Alfred HitchcockScreenplay:
Joseph StefanoCinematography:
John L. RussellComposer:
Bernard HerrmannCast:
Anthony Perkins, Vera Miles, John Gavin, Janet Leigh, Martin Balsam, John McIntire, Simon Oakland, Frank Albertson, Patricia Hitchcock, Vaughn Taylor (more)VOD (4)
Plots(1)
Alfred Hitchcock directs this Oscar-nominated thriller starring Janet Leigh and Anthony Perkins. Marion Crane (Leigh) goes on the run after stealing $40,000 from one of her employer's clients. Taking a wrong turn in a storm, she arrives at the isolated Bates Motel, run by the twitchy Norman (Perkins), who is constantly at the beck and call of his unseen mother. When Marion takes a shower in her room, a sudden knife attack brings her life to an end. Upon discovering her body Norman covers up the murder, but it is not long before Marion's sister and boyfriend are attempting to track her down. (Universal Pictures UK)
(more)Videos (3)
Reviews (10)
A cinematic delicacy that belongs to the golden treasury of world cinema. Even if Alfred Hitchcock had made nothing else, he would still deserve a monument carved in marble. The shower scene or the fall down the stairs are, for me, symbols of perfect direction, while the slowly turning chair in the basement symbolizes horror as a distinct genre. Anthony Perkins is excellent, and he never managed to surpass his performance and essentially remained trapped in the role of the deranged Norman. The ingredients in this film are balanced so well that it became a delicacy... The extraordinarily impressive music is also worth mentioning. Overall impression: 100%.
()
Alfred Hitchcock is a master at creating a dark atmosphere, the constant rain, black and white composition, the old house, and a few shots of a heavily clouded sky literally predicts evil, accompanied by brilliant music. Overall, this film was revolutionary for its time and something unseen. Today? The power and shock have somewhat diminished, times are changing after all, but even after all these years, this film still has something special.
()
Everybody knows the legendary knife scene. I have to admit that at the beginning I thought it would be just a boring old film that would give me nothing, but in the second half the plot really took off and the ending was a real treat. With a clear conscience I give this great Hitchcock horror film 4* (85% to be precise) and if it wasn't for the dodgy beginning, it would have been worth a full score.
()
So I’ve finally really gotten to know Psycho! This is because the film is so well known that from all the previews and photos I've seen, all the TV documentaries, all the paragraphs in books and magazines, and the song titles on Herrmann's extra-fierce soundtrack, I felt like I'd actually known it for a long time. And since one of those notorious things is the point, despite all my admiration for the greatest master of suspense, I wasn't that keen on watching Psycho. Come on, stop looking at me like that, we all do stupid things. I did enjoy Psycho last night, though. In a movie theatre, in fact. I didn't notice the giggling of the rest of the audience, who had apparently seen the film for the tenth time, and I sat there like a chained man. I was very pleasantly surprised by a lot of moments I didn't know and which I quite possibly liked the most - especially the (non)sinking of the car into the peat bog and the private detective walking up the stairs (that was truly worthy of a heart attack). Needless to say, Psycho is one of those films that deserves a sixth star.
()
When I saw Psycho in a packed cinema, it evoked more laughter than horror. It wasn't laughter of relief in response to something shocking, but in response to some now unintentionally funny dialogue and situations towards the end of the film. Times change and what worked 40 or more years ago doesn't have the same power today. I appreciate Hitchcock's great surprise for the uninitiated (the famous shower scene and its completely unexpected consequence) and the shocking twist. The black-and-white cinematography is also excellent, and the realities of where the film takes place are impressive. But overall, Hitchcock's most famous film didn't leave a deep mark on me. Just because it was made by the great Master himself, I won't waste a full rating. From a historical point of view, five stars. From a purely subjective point of view and overall emotional experience, a decent four stars.
()
Ads