Wonder Wheel

Woody Allen again wrote it and filmed it himself, and I enjoyed it again. The well-arranged retro story with great actors (Kate Winslet and Jim Belushi are simply amazing) offers a familiar plot, but that doesn't mean that it can't surprise or that it lacks unforgettable moments (the phone call). The extra colorful retro camera initially goes well with the plot, but then it gradually begins to contrast sharply with it, which is a great idea, and I really liked the simple but impressive metaphor with a little pyromaniac who, like his mother, just can't help it. (06/01/2018)

Woody Allen seems to have lost his way with this one. The plot doesn't offer anything particularly interesting. If the initial idea involved discarded condoms under a pier, it’s not surprising the story went off course. The only saving graces are the period atmosphere of the amusement park and a few strong performances. (17/10/2022)

In the category of late Allen films, one of the depressing ones, which builds up deliciously to a damn bitter end. It didn't sit entirely well with me, and I was still dealing with my own moral dilemma of whether it's okay to root for Kate Winslet's character. The reason is that despite her considerable faults, Woody portrays her in such a way that the character of Ginny literally screams for some sympathy and understanding, which is hard to resist at one point. A very strong piece of writing, no doubt, but personally I prefer the other pieces from this late Woody. [65%] (23/11/2020)

I almost want to say that this is a classic Woody Allen film, although this time I found his story really simple and it is saved by the performances, which are excellent in all cases, at least as far as the main roles are concerned. Kate probably stands out the most, but the film doesn't give her the space to really shine as an actress. (15/02/2018)

From the fifth minute on, I couldn't shake the feeling that this should have been a theater play. It places even greater emphasis on dialogue than usual, as well as slightly different acting moods. Justin Timberlake handles this combination best, as he can both play innocent and emphasize the dramatic aspect, while Kate Winslet is somewhat restrained until almost the very end. Jim Belushi is completely lost, and his clumsy shouting is occasionally shocking. However, this is still Woody Allen, where actors are mostly just a tool for the main concept, and this time it doesn't fall behind. The retro mood works perfectly despite the small space, and both amusingly intense and sadly sincere moments fulfill their role excellently. Maybe if it wasn't so obvious that it's just a one-act play, I would have left the cinema even more uplifted. (12/01/2018)