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Russian agent Dominika Egorova (Jennifer Lawrence) was forced to enrol at Sparrow School, where she and many other agents were taught to use their bodies to seduce and deceive their enemy. Now one of the best in the business, Dominika is assigned her latest victim: CIA officer Nate Nash (Joel Edgerton). (20th Century Fox Home Entertainment)

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3DD!3 

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English A solid, old-school-style spy thriller. The director, Lawrence, knows what he’s doing, everything looks great and the big budget is obvious, but the pace is very slow and sometimes unnecessary twists drain the movie's power. Jennifer is appropriately stiff or even machine-like (so much that you wonder how much she’s just acting), but at the same time incredibly unattractive – nobody would want to get in her bed. The controversial nude scene really is superfluous and the movie could have done without it. Howard’s music is great. And Schoenaerts really does look a bit like Putin. ()

D.Moore 

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English A spy thriller with a pleasantly old-school edit, in which it's not about action, but rather suspense, and who, whom, why and how it ends up transferring. I liked it, and both Jennifer Lawrence and Joel Edgerton in particular were great. But I especially have to highlight the James Newton Howard soundtrack - he was heavily inspired by Tchaikovsky and if his overture was played in a classical Russian music concert, probably few would think that it doesn't belong there. ()

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Kaka 

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English The American take on the Russian state apparatus is compelling, delivered with respect, and most fans of gritty spy movies will find it to their liking. The secret services in Russia are portrayed as a power-hungry, hard and uncompromising hierarchy of alpha males and females, both decision-makers and enforcers; like a creeping silent force, insidious and yet mesmerizing. This is exactly what the agent, played by Jennifer Lawrence, tries to portray very ably. Another one of her bolder roles in a minimalist and quite raw film with a solid plot, a great modern "cold war" atmosphere and a couple of scenes of explicit violence. Only the hint of romance is a bit too much, but if you take it all as part of the plan, you can turn a blind eye to it. Matthias Schoenaerts is superb as always and Charlotte Rampling is to die for as a demonic teacher. ()

POMO 

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English Red Sparrow relate the tale of how a young ballerina, Jennifer Lawrence, became the best Russian spy overnight, of course after undergoing a training program for juvenile recruits at an ethically controversial Russian institute called “The Sex Games”. The movie is totally failed attempt at an atmospheric and refined cold-war thriller with a romantic storyline. A wannabe clever espionage drama where the chemistry between the Russian agent and her American counterpart is too feeble to serve as the movie’s sole foundation. It offers nothing else in its long runtime – neither thriller-like suspense nor action. With her baby face, Lawrence is the casting fuck-up of the year. Matthias Schoenaerts is the only one who gives a believable acting performance; he even looks like Putin! The music “inspired” by Goldsmith’s Basic Instinct is supposed to evoke a seductive sexual tone. The similarly conceived Atomic Blonde, which doesn’t pretend to be anything it’s not, is the clear winner here. ()

Othello 

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English In anticipation of a new Hanna or Atomic Blonde, I was richly bored for a good third of the film before I realized that the expectations might have been the problem. And yet it was as if the film had anticipated as much, and when the protagonist moves to a secret training center where, instead of spy training she's treated to a stage from The 120 Days of Sodom, she complains about it the exact same way we do. The quicker you tune in to the channel of such a slightly different (yet in some ways almost classic, canon-adherent), reflective spy film, the more forgiving you become of the film. It's not easy when Joel Edgerton simply doesn't have much acting range and Jennifer Lawrence (again) looks the whole time like someone told an inappropriate joke in front of her. However, a few fairly unique scenes, occasional explosions of unexpected violence in an otherwise pretty polished area in front of the camera, and one brutal symphony involving several sharp objects and a potato peeler at least ensure that you might not forget the film entirely. 3-4, but we have to take care of pure genre flicks, so I’m rounding up. ()

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