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Derek Vinyard is dangerous, a coiled fury of hate who leads a neo-Nazi gang. But time and events start to change him. He reassesses his ways while doing time for manslaughter and emerges from prison eager to keep his younger brother (Edward Furlong) from falling victim to the thug cycle of violence and payback. It may be too late. Weaving in and out of events past and present in Derek's life, American History X is revealing in its look at white-supremacist gangs and impassioned in its message that hatred and bigotry can be unlearned. (Warner Bros. UK)

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Reviews (12)

novoten 

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English From skepticism to crushing punchlines and feelings. Each storyline has its meaning and power, and in combination with the amazing Ed Norton, which will often give you chills, and Tony Kaye's meticulous camera, the relatively pointless material becomes a rightfully celebrated study of the darkest aspects of human nature. ()

kaylin 

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English Racism is a problem that we must deal with even here in our little country. Whether those who are racists are truly just idiots or in some cases it may be behavior based on experience and observation, we won't address that, but in general, I believe that labeling is wrong, even though we all do it, so we will have to accept it. However, the racism that is presented to us is wrong. It shows that there is not much distance between the idea and the act, and that should not be the case. While it is true that racism is generally bad, I personally believe that mindless humanism is equally evil. But let's move on to the movie "The Cult of the Swastika." More: http://www.filmovy-denik.cz/2013/03/kult-hakoveho-krize-1998-85.html ()

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agentmiky 

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English A film I kept postponing, I just didn’t feel like watching it. Now I can say with a clear conscience that it was a huge mistake. The film tackles very serious social issues, strong neo-Nazism and the associated racism towards minorities, and isn’t afraid to show their true side. Everyone should see this film, as it also serves as a documentary depiction of their customs and acts as a kind of probe into their lives. It’s not easy to watch, it’s quite intense. Both Edwards are truly excellent, Norton, in my opinion, opened the doors to Hollywood with this amazing performance; after this film, offers must have been flying onto his desk one after another. On the other hand, it’s a shame that such a talented actor is no longer as utilized these days. At times, the black-and-white filter further intensifies the dense atmosphere. I don’t know the director well, but anyone who manages to make you genuinely hate the main character at the beginning and then, by the end, when he tries to reset his life and start with a clean slate and simply live normally, makes you sympathize with him, has accomplished something. The ending is crushing, as expected. You simply can’t escape the past, no matter how hard you try. I might add a few more percent over time; for now, it’s a strong four stars, and I give it 86%. ()

J*A*S*M 

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English An excellent film with a superb Edward Norton about the fact that scum can be found among both whites and blacks – but that’s something every sane person knows already. The film, however, doesn’t answer the question of how to solve this problem, provided, that is, that the viewer is not supposed to subscribe to the naive idea of the re-education of a Nazi in prison. But even if it was a stupid film (which is not, it’s just a little intellectually half-baked), Norton’s performance would still keep it afloat. ()

Zíza 

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English Strange, but I suspected it was coming to exactly that ending – the ending of the movie, that is. For me, the story doesn't end. I'll still be caught up in imagining what came next. How this last event played out in the lives of these "fictional" people. And I regret it; the foolishness, the ignorance, the rudeness, the hatred, the understanding, the leader, the indelible mark. What a strange picture. It's just that my heart isn't beating enough for it to get 5 stars. ()

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