Directed by:
Clint EastwoodScreenplay:
Todd KomarnickiCinematography:
Tom SternComposer:
Christian JacobCast:
Tom Hanks, Aaron Eckhart, Laura Linney, Mike O'Malley, Anna Gunn, Jamey Sheridan, Ann Cusack, Molly Hagan, Holt McCallany, Chris Bauer, Patch Darragh (more)VOD (3)
Plots(1)
Clint Eastwood directs this drama based on the autobiography of Chelsey Sullenberger. Tom Hanks stars as pilot Chelsey 'Sully' Sullenberger and Aaron Eckhart as his co-pilot Jeff Skiles, who were at the helm of Flight 1549 in 2009 when, shortly after take-off, the plane hit a large flock of birds which disabled both engines. In the face of immediate danger, Sully took the decision to make an emergency landing on the Hudson River and successfully managed to save the lives of everyone on board. Laura Linney also stars as Sully's wife Lorraine. (Warner Bros. Home Entertainment)
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Reviews (15)
Clint Eastwood as we like him the most: simple, economical, straightforward and this time almost without pathos. His reconstruction of a famous event is neither as overwhelmingly authentic as United 93 nor as classically cinematic as The Flight, it treads on the edge, somewhere in between, and it does a great job. Basically without a dead spot, every shot is a forward thrust. The accident scene is amazing, both in terms of atmosphere and visual effects. Another film where the great form isn't a crutch for a lack of screenwriting substance, but serves exactly where it's expected, something that very rarely happens in a film of this kind. If it weren't for Tom Hanks being a good guy in the 126th way (getting a little tired of it) and the final 30-60 seconds, it would be almost perfect.
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Sully is an ingeniously constructed portrait of a disciplined professional who is haunted by doubts about whether he did the best job he could do. Eastwood composes the image of the central “miracle” and the portrait of the protagonist from several flashbacks, each of which accentuates a different level of the event and are then collectively mirrored in Sully’s final speech highlighting the merits of the crew. Though, thanks to Hanks, Sullenberger is a more charismatic personality than he seems to be from the way he describes himself in the book on which the film is based, he is still a rather ordinary working man of firm principles and unchanging rituals, not a hero who humorously comments on every difficulty and effortlessly overcomes every obstacle. Thanks to that, Eastwood is able to see the concept of heroism in a different light. Anyone can become a hero regardless of the brilliance of their character traits, if they “just” do what they do best. 80%
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With an excellent script, sensitive direction and the (once again) amazing Tom Hanks, Sully is subtle in the usual Clint Eastwood
style, relatable and intimate, just as the actual event deserved and its perception and understanding required. I strongly
considered giving it a fifth star, because it is a minor miracle what the director managed to do with the source material –
without any more dramatic emotions, but also without a single, even microscopic flaw in the movie’s beauty.
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Sully is a partially procedural drama and, in a second aspect, as is customary for Clint, a film about American patriotism, which, however, is conveyed in reasonable doses and with an understanding of human nature. It relies on the experienced Tom Hanks, who seems to have been born for such roles and does not have any significant weaknesses. The film has a reasonable length, a good screenplay, and a strong story. I would just note that I perceive the film not as a story about heroism, but about professionalism, which is, after all, very important in my profession. Overall impression: 75%.
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No excuses, no messing around, only sensitively dosed pathos and no clichés. Through a cleverly constructed structure the movie doesn't beat about the bush, in other words it directly portrays the conflict of a man who while flying the aircraft without engines failure accomplished seemingly impossible and who is subsequently, under the pressure of others, begin to doubt whether by chance what he did, on the contrary, was not the worst possible solution and unnecessary bravery. Hanks proves again that he has no competition overseas when it comes to the box of "ordinary good guys next door". It hit the bull's-eye and is gripping at all times, during the freezingly calm and controlled crisis landing itself, in the moments of the beginning of panic and after it, during the intense questioning in front of the commission and during the self-searching wandering through frozen New York. Although it might seem like a Zemeckis' Flight at first glance, it is much closer to Greengrass’ United 93.
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