Directed by:
Chad StahelskiCinematography:
Dan LaustsenCast:
Keanu Reeves, Halle Berry, Ian McShane, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Tobias Segal, Anjelica Huston, Saïd Taghmaoui (more)VOD (4)
Plots(1)
John Wick returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn. (Lionsgate US)
Videos (15)
Reviews (13)
The best two scenes open the third instalment of the John Wick series and are rather actually the ending of the second one. Then a new, slightly different movie begins. The outlined movie universe is developed and we encounter its power brokers. The journey to them, however, does not reach the dramatic epic nature or visual magnificence of Rome from the second part, with its disco, catacombs and the Camorra boss. And the stylish elegance of the previous sequel with its 100% focus on Wick turns into an unpredictable bit of surrealism with apparent errors of logic and multiple characters who influence Wick’s destiny in a manner other than with a lethal handgun. However, it is still a very enjoyable representative of the series within its genre.
()
Third time's the charm for John Wick, and he’s back with a vengeance. The action is as over-the-top as ever, with neon lighting up even the bathroom stalls. It's pure style from start to finish, packed with relentless action and an incredibly pissed-off John who's managed to anger literally everyone. Sure, the story might be doing a triple axel in terms of complexity, but who cares? It's all about the fun — especially when there are dogs involved.
()
I wasn't entirely happy with the second film, but the third one made up for it. John Wick is moving forward, not in the sense that he's killing more people (although he might be doing that too), but director Chad Stahelski and Keanu Reeves have figured out an awful lot of unorthodox ways to do the killing on screen. Whereas last time it was mostly shoot-outs, this time around it relies more on contact fights, sharp weapons, and what I'd call a "four-legged arsenal." And it's great! Each action scene is different than the last. There's a shootout, then there's a motorcycle chase, a big vs. small or small vs. much smaller fight, and they manage to squeeze the absolute most out of all the action moments. Within the first half hour, the John Wick 3 does so many things that would last most action movie directors their entire careers. A big plus this time around is the presence of really strong supporting characters, whether they're on Wick's side or at his throat. While Stahelski continues to expand the world and mythology and I continue to feel that it's not entirely necessary, at the same time, it doesn't feel as forced as last time and given the qualitative and indeed quantitative shift in the action, I'm happy to forgive him for that. I'm glad that the people responsible for this franchise clearly haven't run out of ideas yet.
()
The third outing of John Wick carries on with the legacy of the second one, using thoroughbred action to move forward a simple story and to reveal corners of that world which had previously remained hidden. It significantly reinforces the serial nature and the mutually supporting narratives across the franchise and its structure and, at least after a first screening, feels considerably more loose and episodic than the previous entries, which is mainly thanks to the work with the old-new characters and the action scenes. What is missing this time is the presence of a dominant villain, like in the two previous episodes, that could direct Wick’s motivations and would give form to the obstacles throughout the film. Parabellum is no longer a story about vengeance and its consequences, it’s about the culmination of an uprising against a powerful system, where the cards can be unexpectedly turned and the tension is provided by the constant confrontation of characters and not by a smooth journey towards a final clash. Most of the secondary characters appear for a few minutes to help John, both to take another step forward in his rebellion (and to explain it psychologically) and to increase a little more the knowledge of the audience about the scope and practices of that world. Wedged into all that are the action scenes, which are plenty, and they are all either preceded or followed by another shift in the plot. And while some of them are truly magnificent, with unexpected settings and cool killing tools (if you’re someone who doesn’t respect horses yet, that will change), others feel a bit tiring with their repetition of similar gimmicks. But I still have to tip my hat in appreciation at Stahelski, the stuntmen and Reeves, because almost every single action sequence, despite the fluctuating wow factor, is a showcase of the most honest school of stunt work and staging, next to which The Expendables should hide in a corner and pray John Wick won't find them. However, as effective as the film is in its dynamic sequences, the quiet interludes don’t have much glittering potential. Whereas the second one had mortar in the shape the main villain, here I missed a similar driving force, especially in the middle, when seeing armed goons jumping on poor John from every corner started to get a bit boring. The ending, fortunately, corrects the inconsistencies and prepares a very fertile ground for the shootout and fistfight of the century, which cleverly underscores the core concept of personal rebellion and further reinforces the driving idea of "John Wick vs The World". It’s not as elegant and smooth as the second one and the pace grinds at times, but that final scene manages to surprise and put most of the doubts away in a box labelled minor details. 85%
()
I was going to write “epic conclusion to the action trilogy”, but they’ve announced a 4th installment yesterday, so this is just a solid sequel that action-wise represents the best the US has offered in the last few years. A big improvement is that the new Wick has picked up some great reinforcements from Asia (Cecep and Ruhian from The Raid) delight also the hilarious Mark Dacascos and the perfectly trained Halle Berry. Visually, John Wick 3 is brilliant. The graceful styling and luxury comes through in every frame, and since I care enough about the aesthetic, I enjoyed the pleasantly fancy sets. The action is of course perfect in the context of an American production (clear cinematography, minimal editing, lots of creative ideas and decent choreography), at times you could feel that Keanu Reeves wasn't keeping up, especially against Cecep and Ruhian you could see that it was a bit too rehearsed (Jason Statham would probably have fought better here), but there are other interesting elements: the library, the sharp dogs in Istanbul, the uncompromising scene in the stable with the horse, the motorbikes and katanas, where they took inspiration from South Korea's The Villainess. Outside of the action, the pace is slower, but it doesn't significantly matter. A decent ride and without a doubt a clear cinematic must-see. 85%.
()
Ads