Bird Box

I just don't know. Similar to A Quiet Place, the film has a unique premise and a great cast, but the final execution lost quite a few points in some aspects. I genuinely appreciate the idea of suicidal tendencies after seeing the entity... but then there's the entity. The film fails to explain anything; we don't get any details about whether these are extraterrestrials made of flesh and blood or some sort of cosmic matter. I don’t even know how it came to Earth. I don't consider myself someone who enjoys filling in gaps left by others. Why should I have to? Moving on... Sandra Bullock surprised me. Although I didn’t quite buy her as a pregnant woman, she delivered high-standard performances in emotionally charged moments. There are some great scenes (the one in the house with Tom Hollander was absolutely top-notch). The ending played on emotions, which I understand, but the abrupt cut and lack of explanation really frustrated me. It felt like a missed opportunity, and it was a significant one. I give it 63%. (29/12/2018)

I liked it a little more than A Quiet Place, because this film started, continued and ended with a intimate-depressing atmosphere, and never drifted towards action scenes at all costs. Moreover, the evil that was causing all this was even more mysterious, unknown the entire time and thus more interesting. That's great. And the scene with the car ride to the supermarket was truly superb. (05/01/2019)

It is impossible not to compare Bird Box with the very similar A Quiet Place. In this case, the creatures sensitive to the subtlest sounds are replaced by creatures you are not allowed to look at, almost like Medusa's gaze; it won’t turn you into stone, but it does make you go crazy. If I had to choose between these two thematically similar films, I would choose A Quiet Place. Bird Box offers a very decent set-up, and since it takes place in two time planes, the story doesn't feel so monotonous. What it lacks, however, is a greater dose of suspense and fear, which I would expect in a film like this. The atmosphere did make me feel a bit uncomfortable at times, but I expected maybe something more in that regard. However, the final scene from the boat was very powerful, as was the following sequence from the forest. The film would definitely have benefited from a shorter running time, a denser plot and more tension. I was obviously curious to see how the story would turn out, but I think it could have been done more effectively. (20/04/2020)

Another attempt at combining horror and social drama, sitting in a corner in the shadow of Darabont’s The Mist. The constant alternation of the two different time planes becomes narratively monotonous after an hour or so. Somehow, with its “relationship content” and all of the clichés it tends to use, it becomes very unlikely that the film may in any way be surprising or bring something new into its subject matter, which resembles that of some recent genre movies. The intriguing premise with a great start fails to fulfill the potential of a decent genre event, leaving only a safe, mainstream drama about the importance of sticking together with a few scary scenes, children at risk and a pleasant Sandra Bullock. It’s not that I didn’t watch it with interest; I just consider it a waste of a great potential. (21/01/2019)

Netflix, a good director, decent idea and actors. That’s becoming a synonym for 2018. I hope that sticks with the years to come as Birdbox is quite a good apocalyptic drama I could imagine as a series. What makes me happy is that Sandra Bullock again proved herself to be a great actress. Not many people appreciate her, still I think she deserves some respect. Similarly to the plot of the movie which kept me on the edge of my seat from start to end. However I know how hard it is to walk blindfolded through the forest – had the honor on a team-building exercise I went to – and the characters in this movie made it seem all too easy. It’s true that the plot is a bit naive yet under Susanne Bier’s baton it works perfectly and the movie deserves attention. (31/12/2018)