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Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi. (20th Century Fox UK)

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Reviews (12)

POMO 

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English Whereas Star Wars: Episode I “only” lacked the heart of the original trilogy, Episode II is just a dramaturgically lame comic-book popcorn flick. At the same time, however, it’s jam-packed with so many great characters, bombastic action, romance and plot twists that are important to the development of the Star Wars saga that it’s impossible to be bored for even a second. The visual effects are shoddy in some places, but the best of them are stunningly good. This is not the good old heartwarming Star Wars of before, but in the context of contemporary eye-candy popcorn entertainment, it’s great. ()

DaViD´82 

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English If you were expecting some significant darkening after the infantilism and overwroughtness of Episode I, well... You can wait on. That said, it's definitely better than Episode I, but the question is whether better is enough when it's still an overstuffed popcorn nonentity with the most annoying CGI character in history. ()

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kaylin 

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English I've never been particularly fond of the new trilogy, but if I set aside the romance from this installment, it serves as a pretty good bridge to the third, the best part of the new trilogy. Visually, it's captivating, and especially the planet Kamino strikes me as absolutely stunning. It's probably the combination of water, rain, and constant darkness. Obi-Wan is definitely the best character in the trilogy. ()

JFL 

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English Following the childishly naive Episode I, along comes the adolescently boorish, emo and theatrically unbalanced and ridiculously “dark and gritty” second episode. If Episode I betrayed the original trilogy by denigrating and distorting the canon, with midi-chlorians at the fore, but at least stood up as an autonomous narrative and a boisterous children’s movie, then Episode II conversely renounces not only self-containment but also internal logic in the interest of meticulously paving the way for the original trilogy. All of the characters become inanimate puppets, circling around a vain, egocentric brat. This is most frighteningly apparent in Anakin and Amidala’s relationship, which takes on not only a distinctly perverse but also repulsive form. As if by a wave of a Jedi hand, the princess loses any will of her own; her resolve and active nature seen in the first episode are replaced by unconditional submissiveness and lobotomization. At the same time, however, the slapdash screenplay gives the vain, blandly brooding asocial prick, who loudly declares his own supposed exceptionalism, every possible trophy, including the princess, and then presents an unprecedentedly repulsive projection screen for equally vain and supposedly chosen nerds. ()

lamps 

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English An episode I have a very special relationship with. The story rather clumsily combines two basic storylines and overwhelms with characters who don't get the space they deserve, BUT there’s still something substantial going on. The diverse locations make your chin drop to the floor, the action sequences tear you apart, and all the characters are simply divine (except Anakin, unfortunately, because Christensen is the casting fiasco of the century). I love the feeling of adventure and the development that comes with exploring new corners of the galaxy, I love the lightsabres, I love Obi-Wan and Yoda. It’s perhaps guilty pleasure, but also perhaps the most pleasant entry in the entire franchise. 80% ()

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