Directed by:
Greta GerwigScreenplay:
Greta GerwigCinematography:
Yorick Le SauxComposer:
Alexandre DesplatCast:
Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel (more)VOD (4)
Plots(1)
Writer-director Greta Gerwig has crafted a Little Women that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author's alter ego, Jo March, reflects back and forth on her fictional life. In Gerwig's take, the beloved story of the March sisters - four young women each determined to live life on their own terms - is both timeless and timely. Portraying Jo, Meg, Amy, and Beth March, the film stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, with Timothée Chalamet as their neighbor Laurie, Laura Dern as Marmee, and Meryl Streep as Aunt March. (Sony Pictures Home Entertainment)
(more)Videos (1)
Reviews (11)
A cinema visit to Little Women took me nostalgically back to my high school days at the mall. The full theater with only two men in it, or the lending of tissues between rows from the middle of the movie on reminded me again of the beauty of the collective cinematic experience that Netflix just can't give you. As for the film, it could probably get by with the fantastic performances from Saoirse Ronan and Florence Pugh alone, whose characters breathe with such life and energy that they redeem even a few of those Jehovah's Witness scenes full of Christmas tables, gifting the poor, and other kilos of goodness like a children’s book. Still, Greta Gerwig has chosen to break the entire two books into different episodes, which she stacks on top of each other, albeit without chronology, but in such a way that the events contained within them ideally have the strongest possible impact in terms of our moment-to-moment connection with a particular character. On several occasions we witness dialogue whose importance is revealed to us a scene later, which takes place either several years before or after the dialogue. Underneath all the liveliness, then, there is actually a clockwork that successfully tries to sell us, with the strongest possible impact, the most important personal moments in the lives of several characters. And it's quite possible that with a standard narrative, the film wouldn't have had such a strong impact.
()
Greta Gerwig is a truly amazing narrator. Though the division of the plot into emotionally connected episodes prevented me from living the story of the characters as intensively and clearly as I would have wanted given the scope and the protagonists, it is actually thanks to that episodic arrangement and the time jumps that this intellectually demanding material never gets boring or suffers from narrative sterility. I must admit that at least once I didn’t know whom they were talking about, but otherwise I was thrilled with the natural heroines and their personal vicissitudes, the tasteful humour, the always brilliant Alexandre Desplat and the precise direction, which perfectly leads not only the actors, but also the tempo and the changes in character and motivational perspectives. And this is not about men as evil rulers of the world, it’s about the desire for self-expression in a world where men have the last word and are as indispensable as their own dreams and families. A funny and distinctive script, a wonderful Saoirse Ronan and Florence Pugh. 85%
()
Fresh, playful, at times extremely conversational, but improvisationally well played. The casting is superb (Ronan, Watson, Pugh). It's hard to say how faithful it is to the source material, or rather to the original film, but it meets the contemporary demands of a historical conversational drama with family values and ingredients in the form of relationships and life turning points and decisions very well. Perhaps the only bigger problem is with the flashbacks, which the director puts there quite unsparingly. It takes a while to get your bearings.
()
This story of four sisters coming of age in the mid-nineteenth century and figuring out what they want out of life is surprisingly relevant in the twenty-first century. In it, Greta Gerwig gives space to the actresses in particular, who certainly don't let her down, and she handles the touching and funny scenes with complete ease. An honest and entertaining modern adaptation of a literary classic. It's just a pity that it is perhaps unnecessarily cold and aloof in its first half.
()
Beautiful film, really beautiful. There are so many moments in it that other filmmakers would use in other films to try at least to move me or completely blow me away, but Greta Gerwig doesn't need to. Everything in the Marches' story was meant to have an effect on me, and yet I still had that satisfied feeling. It wasn't overly melancholy, it wasn't extra sad, it wasn't tragic. It was just beautiful. As for the cast, as expected, Saoirse Ronan absolutely reigns and is once again amazing in every minute, however I was surprised by Emma Watson, who made a real impression on me for perhaps the first time since Harry Potter.
()
Ads