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Al Pacino and Robert De Niro dually power the momentum and large scale of this groundbreaking film written and directed by Michael Mann. In the wake of a precision heist of an armoured truck, an obsessive detective (Pacino) begins to hunt ruthless, professional thief Neil McCauley (De Niro) through the streets of Los Angeles. As the stakes escalate, their lives begin to mirror and unravel, and McCauley's crew initiates its most dangerous and complex heist. Co-starring Val Kilmer, Tom Sizemore, Ashley Judd, Amy Brenneman, Diane Venora, Natalie Portman and Jon Voight, Heat delivers hard-hitting action, gripping suspense and stunning performances. (Disney / Buena Vista)

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Reviews (11)

kaylin 

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English When you put Robert De Niro and Al Pacino in the same movie, it's basically impossible for that combination not to work. Both of them are actors par excellence, as demonstrated by this film, which allows them to excel both in action and in acting. Michael Mann has made a film that has drive, even at three hours long, and has interesting characters on all fronts. ()

Marigold 

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English I love this. A famously created script that does not divide good and evil. The antipodes have the greatest understanding for each other, and the viewer does not necessarily take a stand based on morality and incompatible principles. Two demonic outcasts, completely committed to their mission. Coincidentally, they are aiming weapons at each other. Mann carries the film with his precise directing, which has an incredibly captivating pace and timing of dramatic climaxes. The final scene is minimalist, brilliant. A precisely tuned soundtrack. Perfect cast in every detail and the appropriate acting performances. Everything works: the action, the psychology, and the plot. If you want a good crime drama, this is it. ()

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agentmiky 

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English A film that redefined the genre of modern detective stories. A film that pitted actors considered among the greatest in the history of cinema against each other. A film that etched itself into history with the most realistically portrayed shootout (one that will never be erased). Indeed, Heat excelled in many ways. As a fan of crime films, I regret that today’s filmmakers don’t devote the same passion to similar genre pieces as they did in the past. If Heat were made, say, 20 years later, I believe it would have been trimmed by about an hour and the creators would have tried to amplify everything. However, it’s the gradually building pace with excellently written dialogue scenes that captivated me in Heat. Overall, the film doesn’t rush, which artistically elevates it even more. Michael Mann is a professional in every respect; few filmmakers can retell a seemingly linear story as masterfully as he does. His camera cuts and precise direction give the film an air of craft perfection. Add to that the divine cast (in crime films, no villain has ever matched the quality of the protagonist; Robert De Niro's character is unmatched in charisma). And the action is top-notch, with the shootout being the cherry on top. It's a pity I couldn’t experience that loud sequence in a movie theater, as it must have been quite the event. And the ending, where the audience sees how the two central characters respected each other, is an experience that won’t be repeated. A masterpiece. I give it 93%. ()

gudaulin 

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English A very decent, significantly above-average action crime film, which narrowly missed out on earning five stars. Charismatic characters, a thrilling story with intense scenes and unexpected twists, and an excellent cast led by Al Pacino and Robert De Niro with the corresponding performances. Unlike many genre-related films, Heat stands out with a decent script that reveals and develops the psychology of its characters. The wild shootout during the bank heist is a premature climax of the film. What bothered me was the ending, where the experienced gang leader McCauley makes a rookie mistake completely contrary to the thinking and actions of his character. Overall impression: 85%. ()

lamps 

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English I needed a second screening to fully discover the genius and filmmaking level of this masterpiece by Mann. Now I know where to look for the tip of the iceberg, which in this case is a metaphor for all crime films, and to what height Heat rises above all others. Together with The Godfather and The Fugitive, it’s the most intense experience in the genre, and for me personally, in cinema as such. Long after the end, you can still feel on your own skin the incredible atmosphere of the second half, which will forever be written in golden letters in the history of cinema – every scene heightens the tension and the emotions, every look of the excellent actors is worth a thousand words. The action scenes are incredibly realistic and impressive, and the famous shootout in the city streets is probably the best ever on screen. The script is well thought out and unreadable, just as it should be, and I've never seen such a brilliant acting duo as the one Pacino and De Niro have created here as two sworn enemies that respect each other; their amazing performances complete what Mann wouldn’t have been able to do on his own, and most importantly, the two of them bring the film to the unwavering top. They, and the developed psychology of all the other characters, admittedly stretch the runtime quite a bit, but without that the story could never have achieved such power and brought even the toughest action fan to tears with the final shot. Now I also know another thing I can be a little proud of: I was born the year Heat was made. ()

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