Shang-Chi and the Legend of the Ten Rings

A likeable and easily digestible advertisement for the East and all that is good about it. A philosophically and artistically easier to grasp version of Crouching Tiger, Hidden Dragon. Smart, unpretentious, with a focus on family values until the final few minutes, when it becomes another one of Marvel’s CGI fests about saving the world. The humour is alright and some of the action scenes are fantastic. The visual effects are a bit weaker, but it’s still watchable entertainment that, unlike other “secondary” Marvel flicks, can be sipped like good lemonade. (18/12/2021)

The low-key Shang-Chi is actually the son of the leader of the world's largest criminal organization. And even though he's been hiding from his daddy for ten years, he must now return to the world he's been running from for so long. But the family reunion won't be entirely joyful, and beings not of our world will have a say in it. Shang-Chi and the Legend of the Ten Rings surprises with its fast pace, likeable hero and great action in its first half. Unfortunately, the closer the film gets to its conclusion, the more it relies on visual effects and it becomes clear that director Destin Daniel Cretton may have bitten off a bit too big a bite. Overall, this is a fine Marvel film peppered with Chinese mythology that offers exactly what you expect when you buy tickets to see it. (02/09/2021)

It's a surprisingly coherent extravaganza that, while it loses a bit of pace in places and relies on the element of coincidence (Ben Kingsley's talking ass-pet), holds together as a whole both with its connection to the overarching cinematic universe and its own family storyline with an interesting villain. It's not so much the likeable Shang-Chi, with whom today's younger generation in particular will readily relate to, as his conflicted father that drives the narrative, which is well consolidated especially in the action scenes, each of which moves the story somewhere, and moreover are themselves good and varied – and when the visual brouhaha kicks in, as in the dragon slayer ending, at least the carefully developed family line works. I didn't have high expectations and I'm not jumping with enthusiasm either, but Marvel still keeps the bar high and I find it admirable that they're not afraid to experiment with cultural formulas like this and send an almost purely Asian fantasy to the cinemas, which of course will earn them a cool profit. 75 (08/09/2021)

I have to say, I was pleasantly surprised. Sometimes it really pays off to go in with no expectations and come out impressed. Shang-Chi almost feels like it doesn’t quite belong in the Marvel universe — it introduces new worlds, new characters, even new flora and fauna. The colors are more vibrant, the atmosphere feels different, yet familiar Marvel faces still make an appearance. Awkwafina’s quick wit, Tony Leung’s commanding presence, and the brilliant, off-the-wall performance from Ben Kingsley all stand out. Sure, it’s all heavily digital, but the action scenes are so creatively done that it’s easy to overlook. This is how you introduce a new world; Marvel definitely nailed it here, even more so than with Wakanda in Black Panther. The blend of Asian culture and martial arts really hooked me. (31/12/2021)

Marvel has gone the route of exploiting Eastern Asian culture and I would not mind if the final product was entertaining or at least interesting to the audience. This movie is neither. I got tired of live-action CGI comic book nonsense a long time ago, and Tony Leung and a few pretty choreographed scenes is not going to change that, unfortunately. (08/05/2022)