Directed by:
Ivan PasserCast:
Karel Blažek, Zdeněk Bezušek, Věra Křesadlová, Jan Vostrčil, Jaroslava Štědrá, Vlastimila Vlková, Karel Uhlík, Dagmar Ředinová, Miroslav Cvrk (more)Plots(1)
This wonderfully subtle comedy of provincial life is the debut film of a great director and one of the signature works of the Czech New Wave. Ivan Passer's film concerns the dreams of two musician friends, one of whom, having left their small hometown to become successful, returns to visit the other who stayed behind to become a local music teacher. Focussing on the humour of the ordinary and routine and stunningly shot by Miroslav Ondríček, the film shows true affection and understanding for all its characters to become that very rare thing in comedy a work of great originality and universal acceptance. One of the most important films of the Czech New Wave, and which was ranked among the top ten domestic films of all time, Intimate Lighting is a beautifully observed drama of the everyday. (Second Run)
(more)Reviews (6)
“A woman, and she drinks Pilsner..." You don’t need to know anything at all about Intimate Lighting, but it’s immediately obvious that it is a typical offering of the Czech New Wave. Passer clearly filmed what he wanted, how he wanted. Unfortunately, despite good intentions, it didn’t really work. There are a few scenes here that are almost perfect, which makes it all the more disappointing that the rest isn’t as good. I’m not saying it’s bad at all, but you can find much better pictures made by New-Wave colleagues that give you basically the same thing, but in a more entertaining way.
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This film accurately captures the atmosphere and movements in Czech cinema of the 1960s. Experiments with film language, use of non-actors, the poetics of awkwardness, the effort to capture the banality of everyday life in various social environments, etc. On the other hand, although I consider Intimate Lighting to be a fairly interesting film, Forman managed to capture the same things as Passer in his early films much more entertainingly, and the difference between, let's say, The Firemen's Ball and Intimate Lighting expresses is expressed most effectively by 2 stars. Overall impression: 60%.
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A local drunkard of rural realism. We don’t remember the beginning of life, most of us will miss the climax, and the resolution is quickly forgotten. What remains are only thousands of small and even smaller twists and turns. "Those are Sundays..."
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I liked how, even without a solid narrative structure, the film has such a beautiful poetic atmosphere that makes everything sound incredibly real and at times I even felt like I was sitting right at the same table with the actors. Ivan Passer wrote a very interesting script from everyday life, cast interesting, though completely unknown to me, actors and, based on the responses, he managed to create a film that perfectly reflects the moral values of the time with a tragicomic concept that rises above the iconic "Homolka" humour. And at least for that, Intimate Lighting definitely deserves those 4 stars.
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In the Czechoslovak New Wave, the cameras went out of the darkened studios and into the world, and began to revel in the human tragicomic pettiness that pervaded the post-Soviet society of the time. Seemingly about nothing, but a bravura zeitgeist that explains the character of the Czechs, even to this day, a bit too close for comfort.
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The Czech New Wave is definitely not a period I love, but it must be acknowledged that films were created that are humane yet have something to say, whether it's about what the Czech person was/is like, what society was like, or how little sometimes it takes for us to just get up every day and not give up.
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