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In this sweeping epic that swings from high comedy to drama, Oscar-winner Dustin Hoffman gives a "virtuoso performance" (The Hollywood Reporter) as the 121-year-old sole survivor of Custer's Last Stand. Narrating his colourful life story, he tells about everything from his adoption by Cheyenne Indians to his marriages and his friendship with Wild Bill Hickok. His tall tales indicate he just may be one of the biggest liars who roamed the West. (Paramount Home Entertainment)

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Reviews (6)

NinadeL 

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English A classic revisionist anti-western. In its time, it was an important undertaking, being an adaptation of the novel of the same name by Thomas Berger. Fortunately, there is no longer any need to tolerate the shortcomings of the time: Unbelievable masks, the illogical connection of individual chapters, and some absolutely terrible acting performances. The exaggeration and lightness with which this contemporary Forrest Gump crossed with The Hundred Year-Old Man Who Climbed Out of the Window and Disappeared weaves through the American West are far from as charming, as it is only straightforward and self-serving. I am glad that the sequel "The Return of Little Big Man" (1999) was released only as a book. ()

Malarkey 

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English Another one from the *1001 Movies You Must See Before You Die* list, so I didn’t hesitate. The premise is pretty wild right from the start—Dustin Hoffman, barely disguised as a 110-year-old man, tells a reporter his unbelievable life story from the Wild West. And "unbelievable" is definitely the right word, but that’s kind of the point. The filmmakers seemed to lose track of the timeline a bit, though—since Hoffman looks the same throughout, it feels like the whole story takes place over a week. Despite that, it’s a great tale. The comparisons to Forrest Gump are spot on, just with less memorable dialogue. ()

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lamps 

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English Little Big Man is delightfully over-the-top as a comedy, immensely engaging as a human drama, and truly extraordinary as an adventure western. That alone testifies to the uniqueness of this beautiful story, which hasn't aged a day in 42 years and would clearly deserve to be in the top 200 for its premise and idea. Dustin Hoffman is amazing, giving probably his best performance after Rain Man, and it would be hard to imagine the fate of the elusive Jack Crabb today without his innocent and determined face. But just as much he shines in front of the camera, Arthur Penn gives a great directorial performance and manages to inject such a range of feelings, colours and emotions into the narrative that even the 140 minutes seem short. Where are all the Oscar nominations, at least for the director and Hoffman...? ()

Lima 

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English One of the few westerns that shatters the conventional view of the conquest of the Wild West as a heroic period in American history (the slaughter of an Indian village by ruthless American soldiers, General Custer as a psychopathic despot, etc.), and it also has many funny situations. Dustin Hoffman as a shy young man, a drunkard, an Indian, a bearded drifter or a centenarian old man – he is extremely convincing in all these roles. I think its his best film role. ()

kaylin 

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English Director Arthur Penn became famous mainly thanks to the film "Bonnie and Clyde", but he is also known for the film "Little Big Man". It's the story of a white boy who was raised by Indians, but his life definitely did not bring him an easy fate. We first meet Jack Crabb when he is around 120 years old and he begins to tell his story to a reporter. It doesn't seem like a significant story at first glance, but that's not the case. Jack Crabb immediately finds himself in the clutches of fate and is dragged by them for the rest of his allotted time. More: http://www.filmovy-denik.cz/2013/02/maly-velky-muz-1970-80.html ()

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