Directed by:
Andy SerkisScreenplay:
Kelly MarcelCinematography:
Robert RichardsonComposer:
Marco BeltramiCast:
Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Stephen Graham, Reid Scott, Sean Delaney, Laurence Spellman, Etienne Vick, Amber Sienna, Peggy Lu (more)VOD (4)
Plots(1)
Tom Hardy returns to the big screen as the lethal protector Venom, one of Marvel’s greatest and most complex characters. Directed by Andy Serkis, Screenplay by Kelly Marcel with the Story by Tom Hardy & Kelly Marcel, the film also stars Michelle Williams, Naomie Harris and Woody Harrelson, in the role of the villain Cletus Kasady/Carnage. (Sony Pictures Home Entertainment)
(more)Videos (2)
Reviews (9)
Venom as a pro-migrant agitator and declared bisexual is the surprising revelation of this sequel. Nevertheless, Let There Be Carnage is a tiny bit better than part one. It passes by nicely and is funny in its silly way and its running time is short. As if Serkis simply cut the boring and unfunny bits out. Some of the twists and revelations appear very farfetched and all-of-a-sudden. Stress is on the marital quarrels of the continuously weirdly acting Hardy along with Venom, and all the other things surrounding this just happen to happen, god knows how. It lacks any logic. And it would just be a waste of time to go into analysis of degradation when compared to the source material. P.S.: Harrelson spends his time strangely overacting; this role is acutely uncomfortable for him.
()
I was a bit apprehensive about this sequel, mostly worried it would follow the same formula as the first one — and it did, almost exactly. Once again, the whole movie revolves around Tom Hardy. Venom still leaves me unsure whether I’m supposed to root for him or not, and Woody Harrelson’s villainous role feels completely unnecessary. With the first film, at least I got a few laughs, but even the humor feels lacking this time around. And don’t get me started on the overly artificial CGI. It’s like a budget version of the Marvel universe, and it shows.
()
The second Venom is more about digital monsters than about Hardy. Furthermore, they are two digimonsters that would look the same in a black-and-white movie. On the other hand, Venom “on his own two feet” is fun and his attendance of a party is one of the film’s best moments. The bad guys don’t arouse much fear, as their motivation is shoddy and their interactions with those around them come off as frivolous, like other things in the movie. In the final dark, overwrought digifest, I really didn’t give a damn who was throwing whom where or who was falling where or what was falling on them. Otherwise, Hardy on a motorcycle is great, and Michelle Williams... Michelle Williams! She gives the movie a much needed aesthetic element. If it wasn’t for her, I'd give Let There Be Carnage two stars.
()
I don't even want to get too much into this movie because I'd feel like I was kicking a disabled person. It's actually fascinating to watch a $110M piece of work that seems like every other scene was being concocted while the previous one was being filmed. An Olympics of the laziest screenwriting ("the governor of California decided to bring back the death penalty in light of these crimes" what the fuck?!). Kelly Marcel's role in Hollywood is to be given potentially problematic topics and then muddle them up in a way that doesn't offend anyone while still trying to appear superficially non-conformist. I don't know if they have no one better at Sony to do that, or if they just can't completely colonize certain topics, but nothing here holds together at all.
()
This movie was created just for the sake of a post-credits scene and making money... In Hollywood, you have competent and talented directors with vision, promising rising stars, ordinary artisans, and then blagging hustlers who are actually not very good at it and are hired just because they are not going to argue with the studio. Now Andy Serkis belongs to the latter group. Venom: Let There Be Carnage is a completely formulaic comic book movie that you cannot enjoy much due to the hackneyed screenplay, lackluster performances and chaotic editing. The whole thing is obviously heavily impacted by the PG-13 rating, and so many times during the movie you are left unsure as to how this or that character actually ended up, because everything is edited so "safely" that you just have no idea. Moreover, the comedy is incredibly childish. I cannot imagine that all the moviemakers involved got into it for any reason other than a paycheck.
()
Ads