Unhinged

Back in the cinema after a five month hiatus and Unhinged is a pleasant surprise. Unhinged is a decent road rage thriller with raging bull Russell Crowe having a bad day and his rage escalates to the max when confronted by the sassy Caren Pistorius, who learns a life lesson she will regret forever. Russell has put on weight, but he's an unbelievable asshole who uncompromisingly dispatches anyone who crosses him, and during his violent attacks, I worried if he'd bring down the house. The film is a decent adrenaline rush from start to finish, and it doesn’t take its foot off the gas for a moment. Russell plays the psychopath impeccably, commanding respect in every scene and the unexpectedly high bodycount is not far from double digits, plus it's very nicely R-rated, which is always a treat in the cinema. The story doesn't bring any twist or surprise and those who are nitpicky will find a few logical flaws, but I had a great time and exhaled at the end, and that's enough for me in this case at most. Story***, Action****, Humor>No, Violence****, Entertainment****, Music****, Visuals****, Atmosphere****, Suspense****. 8/10. (31/07/2020)

Gosh, all the fat Crowe jokes have all been picked over. As for the film itself, it's a scattershot compilation of themes revolving around behavior behind the wheel, the problems associated with communications technology, the obligatory turning from the victim into the hunter, and the changing times that leave some people behind. It's all terribly superficial though, as often the characters are punished pointlessly by the film (the woman painting her eyes in the car couldn't have prevented the fatal accident anyway), we don't really learn anything about the background of the antagonist who tries to capture attention for a while like a latter-day D-Fens, and the whole line about how easily we can be tracked through a communication device falls flat as no one is able to track down the villain, who makes no effort not to be tracked down, throughout his killing spree. Unfortunately, as a god-awful thriller, it doesn't really work either, as the film tries several times to convince us that John Goodman can sneak up on someone quietly from behind, no one in the convoy notices when another car repeatedly crashes into the car next to it, and it's also so poorly edited that at times it feels like the film is getting rid of some content at the last minute. And the car chases are cut in the same mode over and over again A (shot of the heroine's car), B (shot of the heroine in the car), C (shot of the antagonist's car), D (shot of the antagonist in the car). (13/12/2020)

A decent theme, which did not turn out exactly as I’d imagined. I was especially pleased with the performance of Russell Crowe, who easily convinced me he had the weight of a slaughter pig. The story was nicely paced, I felt entertained the whole time, but as time went on, I was increasingly annoyed by logic holes. I didn't really understand the idleness of the police. There was also another 110-pound female version of T-800, who was unstoppable, even by a hydraulic press. If the screenwriter had made a more honest effort, I wouldn’t mind giving it a higher rating. (20/11/2020)

This is exactly the type of movie I could imagine watching on a Sunday evening on TV in the absence of Russell Crowe, who is still an "A-list" actor. Without him, it wouldn’t work. However, he played the role of an angry, furious, and psychologically disturbed giant of a man who has nothing to lose excellently. When a woman honks at him, he sets off on a path of no return. Yes, the story is rather stupid, and the script doesn’t come up with any innovative ideas (the omnipresent absence of police forces, with a few exceptions, is glaring). Thus, the whole plot feels bland and stale. The film is lifted from mediocrity by two or maybe three aspects: Crowe’s excellent performance (yes, he overacts, but it fits the role), the gritty approach that is not afraid to go for bloodier moments (like the highway scene), and a simple but very effective soundtrack mainly based on booming and captivating tones. Don’t expect this film to be a sophisticated affair. Turn off your brain for a while and you’ll see it can entertain. I’d give it a 6.5/10. (01/11/2020)

Already at the outset, Unhinged grabs the viewer's attention with a stark but incisive overview of the state of crime and society in the US, a land of unlimited possibilities but limited people. After a brief prologue and introduction to the characters, what follows is pure thriller action, where at times you just stare at the screen in disbelief and outrage, with pissed off thoughts running through your head, wondering if something like this is the order of the day (in America). Russell Crowe inhabits the role of a psychopathic asshole who needs really little to piss him off in a chillingly convincing way, and I was definitely not rooting for him and I wished him nothing but the worst possible ending. Whether Unhinged is a realistic reflection of American society I cannot judge, as I don't live there, but even if it is a universal image, I was indeed impressed. All I missed was perhaps a little more background on Russell's character. (13/09/2020)