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Suspense thriller starring Kim Basinger as Jessica Martin, a biology teacher who is abducted by a ruthless kidnapper who threatens to murder her husband and son. Her kidnapper, Greer (Jason Statham) takes her to an isolated cabin where he destroys the only working phone, but she manages to reassemble it sufficiently to send out a call - which is picked up by college student Ryan (Chris Evans). The only trouble is, the battery is running low on his mobile phone - Jessica's only lifeline. (Entertainment in Video)

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DaViD´82 

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English The screenwriter of Phone Booth somewhat recycled his previous idea and routineer Ellis directed it. Loads of horrendous clichés, unimpressive acting performances and an unlikeable main protagonist make this picture really boring. Unfortunately not even the typically outstanding Macy or the usually cool Statham don’t have the change to rescue the picture from drowning in waters of mediocrity. An uninteresting picture that comes up with nothing new and even what we have seen a hundred times over is delivered in a form that is even worse than the competition. ()

gudaulin 

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English It is rare to find such a textbook example of product placement in the film industry as in this little movie. However, I must admit that I wasn't bored at all by this bloated advertisement for NOKIA. The film's advantages are its fast pace and reasonable runtime. Although I am sensitive to poorly written scripts and plot inconsistencies, in this case, these shortcomings didn't bother me. Kim Basinger, as the main star, attracts attention about as much as my grandmother in a nightgown, but even that is not a hindrance. If you don't have high expectations, the film offers a decent chance for entertainment and represents a light genre above average. Overall impression: 65%. ()

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agentmiky 

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English Do you remember the action films from the 80s and 90s that were so fun when you took them lightly and didn’t treat them as serious works? That’s exactly the category Cellular falls into, offering 94 minutes of entertainment. It’s a film full of moments overflowing with illogicalities, some of the actors’ performances are more laughable than praiseworthy, and it’s honestly full of clichés. But if you turn your brain off, you’ve struck gold. The story is quite ordinary, though the idea of a phone call running throughout the entire film isn’t the most common concept. Kim Basinger didn’t do badly, but I might have chosen someone else. Chris Evans shined in the role of a carefree young man, and I enjoyed how he turned into a would-be action hero by the end. Since I’ve already touched on the topic of heroes, William H. Macy in the role of a cop who’s been on duty for 27 years really topped it off. To be fair, the role was tailor-made for him. Statham played the villain, and if I were a Hollywood director, I’d call him immediately to ask if he’d be interested in playing an assassin. The ending was more amusing than anything, but I eventually accepted it. I give it 74%. P.S. The Finns must have been thrilled because such advertising for Nokia surely multiplied the sales of these unforgettable phones. ()

novoten 

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English At first, I was quite scared about what Chris Morgan had prepared for me in his screenwriting debut, because the main abduction happens before I even get a chance to settle down, and right from the beginning it presents an unbearably (and almost unwatchable) hysterical Kim Basinger and Chris Evans trying to win back his ex-girlfriend. In the end, it turns out to be a mixture that alternates excellently built tension with logical flaws and adds a moderately high pile of clichés on top of it all. Fortunately, a likable character gradually emerges from the mess, so I had someone to cheer for, and thanks to Evans in particular, I have the impression of a better-than-average movie in Cellular. ()

Kaka 

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English If I overlook the fact that it's a bit of an ad for Nokia, I have to say that I quite enjoyed myself for almost a hundred minutes. The big plus is that neither the director, nor the screenwriter, and often not even the actors take it too seriously. The screenplay was passable, of course, the film didn't avoid several convoluted scenes and worn-out clichés, but there was nothing unbearable. The pace was very solid and you never get bored. ()

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