Gangs of New York

Scorsese is back! Personally, one of the peaks of the historical genre for me, with great sets and Daniel Day-Lewis. It's not fast, it's not aggressive, I wouldn't hesitate to call it a tribute to classics. It is slow storytelling with emphasis on characters, with minimal visual effects, accompanied by period music. An impressive fresco. (26/10/2003)

I didn't remember the film much, just the basic outline, so I was quite glad to revisit it. And once again, I had before me the evidence of the mastery of several individuals. Martin Scorsese's excellent direction, where every scene (action-packed, dramatic, romantic, comedic, and grand) is brilliantly conceived. Unique performances by Daniel and Leonardo, who are masters and perfectly embody their roles. And then it's only Cameron who spoils it for me; she didn't fit in at all, and the somewhat sentimental ending, but it certainly doesn't reach Spielberg's "qualities." (13/12/2015)

Very good. Martin Scorsese's direction is very precise, the casting is amazing, Leonardo DiCaprio is great, Daniel Day-Lewis is devilish and Cameron Diaz is seductive. Despite the long running time, the film is not boring and impresses especially with its gritty period setting, the production design and the rather rough scenes, which could have been tightened up and I would have been more satisfied. 80% (22/12/2015)

Fundamental themes of life in the unusual setting of the 1860s. Daniel Day-Lewis steals the show in every scene, but overall this is a showcase of exceptional acting performances, and the actors really have some material to work with. Even Marty flashes past the camera in the role of the head of a robbed family. Amazing sets. (31/12/2011)

I certainly wouldn't call the script for this film outright cheesy or about nothing, as has been mentioned several times in the reviews here. It's true that those 160 minutes are a bit much, and I looked at the clock more and more in the last hour, but Scorsese has an uncanny gift for conquering almost any uninteresting material, and it paid off here. The story, despite all the flies, fleas and God knows what else, is extremely interesting, with a brilliantly depicted Civil War-torn New York and flawless sets. And there’s also the trump card called Daniel Day-Lewis. He literally imprinted his role with body and soul and gives a heroic performance that perfectly overshadows even the usually bland DiCaprio, as well as the protracted and wannabe spectacular ending. It’s certainly not as great as the ten Oscar nominations might make it seem, but Scorsese did his job well. (17/06/2012)