Directed by:
Ridley ScottScreenplay:
Dan O'BannonCinematography:
Derek VanlintComposer:
Jerry GoldsmithCast:
Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto, Bolaji Badejo, Helen HortonVOD (5)
Plots(1)
In the first chapter of the terrifying Alien saga, the crew of the spaceship Nostromo answers a distress signal from a desolate planet, only to discover a deadly life form that breeds within human hosts. Now the crew members must fight not only for their own survival, but for the survival of all mankind. (20th Century Fox Home Entertainment)
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Reviews (15)
The most famous representative of its genre, its thematically related followers can’t even hold a candle to it. My big sister told me that during a screening in our cinema (during the totalitarian era – what a wonder!), a female spectator didn't manage to leave the hall and threw up during one tense scene. Nowadays, Alien probably wouldn't shock anyone, but back then it was something completely new, unseen. I have two people in particular to thank for that: Ridley Scott, who was in fine form, and H.R. Giger, without whose vision, the result would probably not have been so rewarding.
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Ridley Scott cannot be denied his directorial skill and sense for a unique creepy atmosphere, but after so many years, it doesn't have quite the same level of horror as it did ten or twenty years ago. The original screenplay, the great cast, and the excellent direction, along with the depressive music and fantastic devilish atmosphere, are all positives, But I still give preference to the militant Cameron.
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A fascinating legend, which has been delivering all subsequent films with a suggestive atmosphere of unknown evil for over forty years since its creation. A captivating performance by Sigourney Weaver, the impossibility of guessing what is in store for the crew in the next few seconds, accompanied by darkness, fear, and terror, with the help of minimal special effects. An incomparable accomplishment from Ridley Scott and proof that even a film where almost nothing happens in the first half can be perfectly breathtaking throughout its entire runtime.
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The collective terror of the unknown in an isolated environment. The first serious sci-fi/horror movie with a blood-thirsty space monster…and the most artful one to achieve cult status. Unlike Cameron’s follow-up, Aliens, Ridley Scott’s Alien modestly, or even intimately, presents the creature in a gradual way, exploiting the mysteriousness and menace of the perfect, indestructible extraterrestrial organism at the top of the food chain, towering above everything that we know from Earth. The close-ups of the scared-to-death, realistically natural and poorly armed crew members, the visual exploration of the futuristically elegant and industrial bowels of their spaceship Nostromo, the creepy atmospheric music by the unrivalled sorcerer Jerry Goldsmith, and primarily H.R. Giger’s brilliant design of not only the monsters themselves make Alien a unique classic of the genre. It is an establisher of trends and a source of inspiration in which, even after forty years, it’s impossible to find a cliché or guess who will survive.
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Alien is one of the fundamental works of the sci-fi genre, which meant the definitive emancipation of sci-fi as a full-fledged genre that can be classified in the A-category and compete for the highest honors at film festivals. It completed the process started by Kubrick with his film 2001: A Space Odyssey. At the same time, it rehabilitated the motif of space "monsters" which had been profaned by cheap B-movies of previous decades. The director approached the subject with maximum seriousness and worked very carefully with the screenplay, opting for an excellent collaborator in the form of the previously little-known artist H.R. Giger. It is precisely in terms of visuals that the film does exceptionally well, using a wide range of colors to evoke a gloomy atmosphere. The alien ship appears remarkably strange. The environment of the worn-out spacecraft full of various sounds created by technology creates a special tension that stays with the viewer until the last moments. The slowly increasing tension is followed by shocking "scares." Alien makes an original impression and evokes genuine fear. The actors approached the film with obvious skepticism, considering it to be one of the common cheap genre films, and were pleasantly surprised by the result. The film catapulted Sigourney Weaver into the ranks of the stellar acting elite and guaranteed her very nice salaries in the future. Ripley became her defining role, and many fans simply identified her with the starship officer. I remember the desperate attempts of the youth at the time to get into the movie theater for the screening. The film was hugely popular and also restricted to a certain age. Even many years later, although it is no longer at the forefront technically, Alien still has a very impressive and fully functional atmosphere. Overall impression: 100%.
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