Directed by:
Bryan SingerScreenplay:
Brandon BoyceCinematography:
Newton Thomas SigelComposer:
John OttmanCast:
Ian McKellen, Brad Renfro, Bruce Davison, Elias Koteas, Mickey Cottrell, Joe Morton, Jan Tříska, Michael Byrne, James Karen, Joshua Jackson, Heather McComb (more)Plots(1)
Todd Bowden (Brad Renfro) is a sixteen-year-old high-school student who has uncovered a chilling secret. For many years Nazi war criminal Kurt Dussander (Ian McKellen) has been anonymously living in Todd's home town. Fascinated by the horrors of the war, Todd blackmails Dussander into revealing the nature of his crimes. Soon the two have formed a bizarre relationship which threatens to spiral out of control. (Sony Pictures Home Entertainment)
(more)Videos (1)
Reviews (12)
A perfect movie, which unfortunately lacks the quality of the novella by Stephen King. Thanks to Singer’s precise directing and the excellent acting in the first part of the movie this doesn’t present a problem, but unfortunately it does in the second part. The atmosphere (the absolute peak of which is the chilling scene with forced marching in the living room) of an unorthodox relationship of a pupil and a teacher is spoiled by the classic thriller plot, which we’ve seen hundred times before and will see many more times again.
()
Singer is the devil! Sensitive themes (homosexuality, neo/Nazism) seem believable and natural when presented by him, meaning that there are no cheap poses of wannabe profound commentary on the subject matter, but rather an absolutely brilliantly crafted story that grabs you and only lets you go when the closing credits roll. Formally, it's incredibly sophisticated (for example, the staircase to the basement of Dussender's house with its red backlighting looks like a descent into hell) and the acting is riveting. Brad Renfro as the inquisitive teenager is great, but Ian McKellen is a demon who is unmatched far and wide. It all culminates in a great ending that will emotionally wring you to the last drop... and you don't even have to cry during it.
()
I haven't read the book by Stephen King, but I'm seriously considering it after that near-perfect two hours. An impressively made psychological thriller about a twisted fascination with the Third Reich that eventually escalates into a real crime. The atmosphere is really thick in places (the shower scene) and that Jan Tříska – he's just a cherry on top. 4.5 stars
()
The novella “Apt Pupil" from the compendium “Different Seasons" (which also contains “Rita Hayworth and Shawshank Redemption") describes the story of a twisted high school kid interested in the things that went on in Nazi torture rooms during the Second World War. It’s his greatest hobby. One day he comes across Kurt Dussander, who used to be head of a concentration camp in Patin. The kid starts to blackmail him and demands that Kurt tells him stories of those days, in exchange for his silence. Stories of torture and killing Jewish prisoners... It’s very clear that Bryan Singer has great respect for Stephen King. He faithfully transferred the atmosphere from the book to the movie and adapted the story pretty damn well. I was little disappointed with the ending which is more hinted at and more “happy-ending" like, while in King’s version it is tougher and overall comes across better and more realistic. If I hadn’t read the book before seeing the movie, I would have been happier with it. But I was pleased to see Jan Tříska who gave an excellent performance in his small role and also David Schwimmer in a rather unusual role of Ed French aka Rubber Ed. :)
()
I paradoxically liked the film more than the book because it simplified the storyline and didn't "overdo it," making both anti-heroes much more civilized and natural in their depravity. Ian McKellen plays his fascist veteran brilliantly, and Brad Renfro is truly an apt pupil... The film maintains a modest line, with (almost) no affected scenes. The mutual probing of both adversaries and accomplices at the same time is a subtle psychological game that culminates in the final scene of complete transformation. Overall impression: 90%.
()
Ads