Directed by:
Bryan SingerScreenplay:
Christopher McQuarrieCinematography:
Newton Thomas SigelComposer:
John OttmanCast:
Stephen Baldwin, Gabriel Byrne, Benicio Del Toro, Kevin Pollak, Kevin Spacey, Chazz Palminteri, Pete Postlethwaite, Suzy Amis, Giancarlo Esposito, Dan Hedaya (more)VOD (3)
Plots(1)
When a burnt-out ship is discovered in San Pedro Bay along with 27 dead bodies, US customs agent Dave Kujal (Chazz Palminteri) is assigned to work the case and thinks his best chance is to interrogate the one survivor of the massacre, Roger 'Verbal' Kint (Kevin Spacey). Sitting in an office at police headquarters, Kint, who suffers with cerebral palsy, begins to tell his story, and the more he says, the more Kujal becomes convinced that the unseen master criminal Keyser Soze is the man behind it all. (Metro-Goldwyn-Mayer (MGM))
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Reviews (14)
A refined, quality script allows creators to constantly surprise and play with the viewer like a cat with a mouse. Until the last shot, the viewers don't know what is actually happening, and thanks to the film's originality and cleverness, a famous thriller emerged that is often stolen from and referenced in other films and series. Overall impression: 95%.
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Today, I only made sure I still enjoy the film as much as I did all those years ago. I wouldn't dare say it is flawless, but it's shot in such a way that makes me ignore all the shortcomings. The cast was stellar, and as usual I enjoyed the acting performance of the one who must not be named by the decision of the International Denunciation and Inquisition Movement. Well, as I don’t give a rat’s ass about fanatics, Kevin Spacey remains one of my top ten favorite actors.
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A police interrogation of a criminal outcast pieces together a flashback mosaic of past events leading to the tragic explosion of a boat in the harbor. Sophisticated dark film-noir in which, in the end, everything is completely different than it seems even at the penultimate glance. A perfect screenplay built on flashback sequences and detailed characterisation, made for an unbelievable $6 million. One actor who was still unknown at the time got very lucky here in that he got a role that made him a demigod for quite some time. I want a sequel in which I can enjoy his character for more than ten seconds so that he doesn’t remain just a mythical revelation to me!
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If you've seen this film and for some reason stopped watching a few minutes before the end because you thought you had it all figured out, I guarantee you've seen a completely different film. Does it sound weird? Not for this film, not at all. A brilliant ending that in the last few seconds turns everything on its head. By the way, first Oscar for Kevin Spacey and Oscar for screenplay.
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A script this perfect would have deserved a little more dynamic direction in my opinion. Singer does conjure up the occasional really playful scene (Kobayashi in the elevator, the cut from the scene where the cops pick up Kevin Pollak), but the whole thing has too much of an 80s static feel for me. It's helped quite a bit by the literally brutal scenes (plus, where else are you going to see a child getting killed in a shot). Otherwise, though, it's a terribly entertaining film.
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