Don't Worry Darling

  • USA Don't Worry Darling (more)
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Alice (Florence Pugh) and Jack (Harry Styles) live in the idealized community of Victory, the experimental company housing the men working for the top-secret Victory Project and their families. The husbands spend every day inside the Headquarters, whilst their wives enjoy the beauty and luxury of their community. Life is perfect, in return, the company ask for discretion and unquestioning commitment. But when cracks appear in their life, exposing something more sinister, Alice questions exactly what they’re doing in Victory, and why. (Warner Bros. Home Entertainment)

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Reviews (13)

Malarkey 

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English Olivia Wilde has revealed an intriguing directorial talent with Don't Worry Darling. It's an original psychological thriller that keeps you guessing until the end, leaving you with a sense of revelation — or maybe not. That's up to you. Florence Pugh is fantastic once again, and Harry Styles proved he can act. Quite a few discoveries for just one film, if you ask me. ()

3DD!3 

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English An atmospheric relationship drama with interesting performances. Unfortunately, the script is as dodgy as the leading lady's memory. Spending an hour and a half portraying the world and having the interesting, supporting stuff taken away in a moment is the most frustrating part. The motifs of the relationship between men and women in contemporary society are stripped away, killed without proper context. The behaviour of some of the characters is downright baffling. Chris Pine and his departure was supposed to mean what? But Florence Pugh does a great job, and even the bumbling Harry Styles is a sight to behold. Olivia Wilde's brilliant direction saves much of the film, but the crumbling story at the ending trip her up. The visuals are great, though. A more assured script next time and it'll work out. John Powell's score is superb. ()

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Gilmour93 

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English It was a mistake that I didn’t prepare myself in advance. I was expecting something like American Beautys emergency exit, and instead, I got Desperate Housewives living out an episode in the Twilight Zone better than life itself. The result is an opulent emptiness, into which Pine’s character pumps more vacuum with every monologue (I don’t care that it’s Jordan Peterson). I understand that it’s meant to reflect the emptiness of this world, but the message of feminism and female autonomy vs. incels, misogyny, and sexism didn’t need to drag on so aimlessly to a conclusion that resolves nothing. What keeps it afloat is Florence Pugh, who reminds me of a young Kate Winslet (at least something reminiscent of Mendes). As for Harry Styles, who looks slightly mongoloid, he didn’t deliver anything. Actually, to be fair, on the dining table, his one direction with his tongue sparked the fantasies of his eager fans. ()

EvilPhoEniX 

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English Olivia Wilde and her ambitious psychological thriller evoking The Stepford Wives should have been the gem of the year, but it's just a decent genre flick. The setting in the 1950s is very nice, the utopian experimental community is an attractive subject, Florence Pugh is both sexy and a great actress, and there's a nice final twist with Chris Pine that has something to it, but somehow I was expecting more. When best scene in thriller is Pugh's oral sex on a table doesn't feel enough to me. I found the whole film to be a little too restrained. There is no violence, no proper escalation of the situation. The trailer made me expect downright mind fuck scenes playing with the viewer's mind, shocking and fascinating at the same time and unfortunately Olivia fails to do that. I probably had too high expectations, but it's not a bad film, it's definitely worth seeing, I wasn't bored, there are bright moments and strong performances, and the visuals and atmosphere are also very good. In the cinema it might have enhanced the experience to a stronger rating,at home only for a strong 3 stars. 65%. ()

J*A*S*M 

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English As a mystery thriller one-shot from The Twilight Zone, totally fine. It's beautiful to look at, great craftsmanship, and I have a soft spot for Florence Pugh, she improves the rating of every film by at least one star. On the other hand, if their ambitions were higher, well we can’t speak of a success. The concept is fine and could have been the basis for a more substantial piece of filmmaking, but it would have needed from sharper edges and a more focused script (actually, it's a terribly perverse outcome, but Wilde and the writers failed to fully capitalize on its power). The handling of the reveal of the twist seems a bit shallow, and if you start digging into the individual scenes, you'll find that they may not even make much sense in the end – I really don’t understand what the plane wreck was doing there. 7/10 ()

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