Directed by:
Juan Pablo FélixScreenplay:
Juan Pablo FélixCinematography:
Ramiro CivitaComposer:
Leonardo MartinelliPlots(1)
Cambra lives with his mother and step-father in a small town in Argentina, growing up near the border with Bolivia. He dedicates all of his leisure time to rehearsing for a competition in the traditional folk dance, the malamba. His situation begins to be troubled by unresolved family issues as well as the world of organized crime – so easy to fall in with, so hard to leave. A story full of suspense set in present-day South America, captivating for its combinations of the bright colours of Carnival with darker shades of realism. (Febiofest)
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Growing up is not easy, and if your father is in prison, it's twice as hard. Your hormones are working full throttle, the desire to seek missing role models clashes with the need to assert oneself against their surroundings. A small smuggling deal threatens to turn into a big disaster with unforeseen consequences, and a meeting with the father on parole brings disillusionment and further complications. I don't trust bloated film co-productions, but this collaboration of Latin American and European filmmakers worked perfectly. It's a film full of energy, tension, believable conflicts, and emotions, and it is not half-hearted and leaves a lot to its characters and audience. In just 24 hours, the teenager Cambra accomplishes a lot and takes a big step forward on the path to adulthood. Karnawal is not an interchangeable film product. South American temperament, deeply-rooted machismo, the exoticism of carnival rhythms, and the difficult social reality of South American society are abundantly present in the film. I would also highlight the authentic performances and appropriate duration. All in all, I have no reason to give it less than 5 stars and a 90% overall impression.
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Photo © Beta Cinema
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