Directed by:
František VláčilCinematography:
František UldrichComposer:
Zdeněk LiškaCast:
Petr Čepek, Jan Kačer, Věra Galatíková, Zdeněk Sedláček, Zdeněk Kryzánek, Jana Hájková, Michal Kožuch, Ladislav Gzela, Petr Štěpánek, Josef Somr, Miloš Willig (more)Plots(1)
Set in 13th-century Europe, František Vláčil's visionary medieval epic chronicles the tale of a young boy forced to join the Order of the Teutonic Knights. Years later he abandons the Crusaders, only to be pursued by a fanatical comrade and pay a terrible price for his rejection of the Holy Order. With dazzling monochrome cinematography and vivid recreation of the period, The Valley of the Bees is a raw and haunting moral fable about the conflict between human nature and dogmatism - and just as powerful and engrossing a film as his more famous work, Marketa Lazarová. (Second Run)
(more)Reviews (9)
Much easier to grasp in terms of content than the poetic Markéta Lazarová, but at the same time less interesting and expressive. Many passages are too cold and emotionally empty, which may have been the intention given Vláčil's approach to the dark Middle Ages, but this time boredom creeps in more, its deadly effects countered primarily by the beautiful authentic music by master Liška. Fortunately, there’s the cast led by the amazing Čepek, chilling and raw sets, great costumes and a strong story that always manages to evoke exactly the right feelings. It's a pity that the script runs out of breath in the middle (though, fortunately, it gets it back by the end). 75%
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From my point of view, a more impressive and perhaps also more successful film than Marketa Lazarová - perhaps because The Valley of the Bees was not as hard to understand, its script is not in any way "cryptic" (the monologues and dialogues from the pen of Vladimír Körner are undeniable) and the actions of the characters are easy to read. Petr Čepek is absolutely amazing, Jan Kačer is literally demonic... However, the one that has grown closest to my heart is Josef Somr in a small but important role. Zdeněk Liška's music is as beautiful as ever, but there is no point in praising Vláčil's direction to the heavens, as it has been there for a long time. A one hundred percent film.
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A cinematic delicacy that emerged as a side product and poorer sibling of Markéta Lazarová. The plot is fundamentally very simple, yet it is filmed poetically and rawly, making for an extraordinarily evocative cinematic experience with perfectly tailored music, excellent cinematography, and stellar performances by Petr Čepek and Jan Kačer. In this film, the saying "there are no small roles" holds true. I assert that if it were made in color, The Valley of the Bees would be half as impactful; the black-and-white material contributes significantly to the ballad-like atmosphere of the story. Overall impression: 95%.
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The Valley of the Bees is a deeply philosophical movie. It is also very oppressive and impersonal, suppressing all emotions and feelings that a film could arouse in the audience. The result is that The Valley of the Bees is a perfect, raw depiction of the Middle Ages, the likes of which would be hard to find in Czech cinematography. And even though it lacks emotions, it is definitely a film that you must not miss, because it will convince you that all kinds of things used to be shot in Czechoslovakia in the past. And they had success with the audience then, so why shouldn’t they be appreciated today?
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The story of a religious fanatic who does not hesitate to take up the sword for the glory of God and for whom the desire for a normal life is alien. It is hard to believe that this film was made mainly to use the costumes from Markéta Lazarová. The Valley of the Bees is equally exquisite, oozing the atmosphere of the 13th century, and Zdeněk Liška's music is unique as always.
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