Directed by:
Tarsem SinghCinematography:
Brendan GalvinComposer:
Trevor MorrisCast:
Henry Cavill, Freida Pinto, Mickey Rourke, Luke Evans, Stephen Dorff, Kellan Lutz, John Hurt, Isabel Lucas, Romano Orzari, Peter Stebbings, Stephen McHattie (more)VOD (4)
Plots(1)
Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares. Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the king's hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man's conflict. They remain powerless to stop Hyperion... until a peasant named Theseus comes forth as their only hope. (Universal Pictures UK)
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Reviews (11)
Excellent. A precisely constructed heroic story (but the only things it has to do with Greek mythology are the names and the setting), good and bloody and bombastic. A perfect atmosphere and action, too. Mickey Rourke is great, Superman is pretty well on top of things and even Zeus is cool. A visual banquet.
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Tarsem Singh is a master of crafting visually stunning worlds. It's refreshing to see a director who pours so much of himself into his films, and with Immortals, the visual experience absolutely blew me away. The set design and overall aesthetics were breathtaking, easily some of the best I've seen in a long time. Unfortunately, the story didn't hold up for me. It felt disjointed, and I struggled to connect with the characters, making it hard to stay invested in the narrative. It’s a shame because the visual spectacle was top-tier.
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Immortals doesn’t have a story that would take it anywhere or characters that would give it life. And for every clothed female body, there are thirty half-naked men. However, the film is satisfyingly bloody, the concept of the Gods and their home above the clouds doesn’t look like something out of a cheap porn flick (see the new Clash of the Titans), and the lavish sets border on design genius. I wasn’t bored, nor was I in ecstasy. I didn’t feel sorry for anyone, nor did I keep my fingers crossed for anyone, but I still enthusiastically watched it to the end. Spectacular dilettantish emptiness.
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A supremely aesthetic affair in which Tarsem Singh has imprinted his unmistakable, bizarre visual sensibility. The theatrical stylisation, the lack of epicness and the sparseness of the film's sets (while at the same time visually intoxicating) are the author's intention, not due to the producers' boredom and a hole in their wallets. I want to have this in Blu-ray.
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Fortunately, it is different than 300, and much more mature and refined in terms of mythological storytelling. What's bad about it are the exact moments when it leaves Tarsem Singh's quirky theatricality and tries to sell it as a simple mainstream product for fans of Snyder's bicep circus. In any case, this amphitheater (what some refer to as poorness and lack of epicity, I refer to as grip and intentional "scenicity") provides a fairly solid portion of aesthetic pleasure from a unique view of ancient mythology (although it uses it as a purposeful texture, it is able, unlike most similar films, to create the appearance of a coherent universality - paradoxically, if you take 300, Clash of the Titans and Troy, Immortals corresponds to the ancient prefiguration least). I enjoyed it, sometimes very much.
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